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Album of the Week

Home » Album of the Week

Review: De La Soul, Still Rising After All These Years on ‘and the Anonymous Nobody…’

Myrkur's Mausoleum

Review: Myrkur Foregrounds the Grace in Black Metal on the Live ‘Mausoleum’

Katie Dey's Flood Network

Review: Katie Dey’s ‘Flood Network’ Is Rife With 404 Errors and Heartbreak

Field Mouse's Episodic

Review: Field Mouse Roar (Quietly) From Philadelphia on ‘Episodic’

Descendents' Hypercaffium Spazzinate

Review: Descendents Embrace Oldage on ‘Hypercaffium Spazzinate’

Elysia Crampton Presents Demon City

Review: Elysia Crampton and Friends Throw Trap and New Age Into a Blender on ‘Demon City’

The Paranoid Style's Rolling Disclosure

Review: The Paranoid Style Make the Trump-Era Send-Up of the Year on ‘Rolling Disclosure’

The Julie Ruin's Hit Reset

Review: We Really Love the Julie Ruin’s ‘Hit Reset’ (But They’d Rather Not Know)

Blood Orange's Freetown Sound

Review: Blood Orange Is Fired Up and Ready to Go on ‘Freetown Sound’

G.L.O.S.S.' Trans Day of Revenge

Review: G.L.O.S.S.’ ‘Trans Day of Revenge’ Is a Dish Best Served Fast

Mitski's Puberty 2

Review: Mitski Really Gives Emo Something to Write Home About on ‘Puberty 2’

Brandy Clark's Big Day in a Small Town

Review: Brandy Clark Saved the Hits for Herself This Time on ‘Big Day in a Small Town’

William Tyler's Modern Country

Review: William Tyler’s Instrumental Folk Is History on ‘Modern Country’

PUP's The Dream Is Over

Review: PUP Proclaim ‘The Dream Is Over’ But Proudly Welcome the Nightmare

Marissa Nadler's Strangers

Review: Marissa Nadler Paints With All the Colors of the Dark on ‘Strangers’

Jessy Lanza's Oh No

Review: Jessy Lanza Does Retro-Futurism Proud on ‘Oh No’

Homeboy Sandman's Kindness for Weakness

Review: Homeboy Sandman Is the Last Backpacker Standing on ‘Kindness for Weakness’

Konono Nº1 and Batida's Konono Nº1 Meets Batida

Review: Konono Nº1 and Batida Redefine Trance on ‘Konono Nº1 Meets Batida’

andy stott, too many voices, review

Review: Andy Stott Is Wanted Both Dead and Alive on ‘Too Many Voices’

The Coathangers' Nosebleed Weekend

Review: No More Wires Ever for the Coathangers on ‘Nosebleed Weekend’

Tenement's Bruised Music Vol. 2

Review: Tenement’s ‘Bruised Music, Vol. 2’ Is Meat-and-Potatoes Rock Minus the Potatoes

Kaitlyn Aurelia Smith's Ears

Review: Kaitlyn Aurelia Smith’s Ambient Majesty Melts the Ice for Once on ‘Ears’

Open Mike Eagle and Paul White's Hella Personal Film Festival

Review: Open Mike Eagle and Paul White Get Up Close and Well, You Know, on ‘Hella Personal Film Festival’

Underworld's Barbara, Barbara, we face a shining future

Review: Underworld Don’t Need Your Nostalgia on ‘Barbara Barbara, we face a shining future’

Into It. Over It.'s Standards

Review: Into It. Over It. See Your ‘Standards’ and Raise Them

Wussy's Forever Sounds

Review: Wussy’s Ragged Ohio Racket Hits Biblical Proportions on ‘Forever Sounds’

Lucy Dacus' No Burden

Review: Lucy Dacus’ ‘No Burden’ Is a Survival Guide to Bending and Breaking

Matmos's Ultimate Care II

Review: Matmos Spin Us Right Round, Baby on ‘Ultimate Care II’

Pinegrove's Cardinal

Review: Pinegrove Redefine the Power of Being Uncool on ‘Cardinal’

Review: Eric Prydz Gives Progressive House the ‘Opus’ It Never Knew It Needed

Kevin Gates' Islah

Review: Kevin Gates Needs No Assists to Fuse His Yin and Yang on ‘Islah’

Roly Porter's Third Law

Review: Roly Porter Savors, Then Smashes the Silence on ‘Third Law’

Brother Osborne's Pawn Shop

Review: Brothers Osborne Take Country to the ‘Pawn Shop,’ Leave With Something New

Baroness' Purple

Review: Baroness Rebound From Tragedy With a ‘Purple’ Haze

Lizzo's Big GRRRL Small World

Review: Lizzo Is Primed for WRRRLD Domination on ‘Big GRRRL Small World’

Erykah Badu's But You Caint Use My Phone

Review: Erykah Badu Continues R&B’s Longtime Game of Telephone on ‘But You Caint Use My Phone’

SOPHIE'S PRODUCT

Review: Pop Is Rebuilt in SOPHIE’s Own Mysterious Image on ‘PRODUCT’

Dyke Drama's Tender Resignation

Review: Sadie Switchblade Is Rock’s Most Beautiful Loser on Dyke Drama’s ‘Tender Resignation’ EP

DJ Paypal's Sold Out!

Review: DJ Paypal Makes Footwork Funny on ‘Sold Out’

Floating Points' Elaenia

Review: Floating Points’ Symphony Reaches the Sublime on the Ethereal ‘Elaenia’

Review: Beach Slang Put Out an APB for the ‘People Who Feel Like Us’

Review: Seinabo Sey Makes Empathy Thrilling on ‘Pretend’

majical cloudz, are you alone?, review, album of the week

Review: Majical Cloudz Are Here for You on ‘Are You Alone?’

Kelela's Hallucinogen

Review: Kelela Cuts Open Her Soul 4 Us on Lustrous ‘Hallucinogen’ EP

Childbirth's Women's Rights

Review: Childbirth Gleefully Skewer Men’s Wrongs on ‘Women’s Rights’

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IMPACT

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Melissa Etheridge: ‘What Are We Gonna Do About the Gay Thing?’

Community

Pussy-Positive Oogie-Powered Hitchhiking Hip-Hopping Orgy Serenader Comes Out of the Rabbit Hole: It’s Audley Time

Impact

Killer Mike Is Keynote Masterblaster for FIRE’s Launch as National Free Speech Defender

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Lost on Boogie Mountain: How the Bee Gees’ Kid Brother, Andy Gibb, Hit the Peak of Pop Only to Die of a Coke-Broke Heart

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