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Spotlight
Artist x Artist
Day in the Life
15 Minute Live Performances
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20 Years, 20 Questions
Altered State
Exit Interview
Interviews
Oral History
The SPIN Interview
SPIN TV
Lists
5 Albums I Can’t Live Without
Best Albums
Best New Artists
Best of So Far
Year-End Lists
Archives
1980s
1990s
2000s
SPIN 35
Impact
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Reviews
Home
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New Music
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Reviews
Maggie Rogers Embraces Rock Star Abandon on Thrilling
Surrender
Interpol Are Surprisingly Vulnerable on
The Other Side of Make-Believe
Rage Against the Machine Bring the Sound and the Fury to Public Service Announcement Tour Opener
Elvis
: Baz Luhrmann’s Gloriously Dizzying Film Takes Care of Presley’s Business
MUNA’s Brilliant New Album Drips With Sex, Freedom and Synth-Pop Bliss
Maluma Masterfully Navigates the Romantic and Risqué on
Love & Sex Tape
IDK and Kaytranada Keep It
Simple
Harry Styles’
Harry’s House
Is a Beguiling Homage to ‘80s Pop Full of Romance and Regret
The Smile Builds an Alternate Universe Radiohead on
A Light for Attracting Attention
On
Dance Fever
, Florence + the Machine Return to Arena Boom
Pusha T’s Patience Pays Off on
It’s Almost Dry
Arcade Fire’s
We
Is a Sign of the Times
Redveil Comes of Age on
learn 2 swim
Paul McCartney Kicks Off His Tour in Spokane With a Little Help From His Friends
Melody’s Echo Chamber’s
Emotional Eternal
Offers a Cure for a Dour Present
Bloc Party Relishes in Their Signature Sound on
Alpha Games
One Nation Under a Stylus
Spiritualized Deliver an Ethereal Space Rock Album With
Everything Was Beautiful
Nicolas Cage Is Back in a Big Way in
The Unbearable Weight of Massive Talent
Wet Leg’s Riotous Debut Stands up to the Hype
Father John Misty’s
Chloë and the Next 20th Century
Shines With Its Old Hollywood Palette
Dom Deshawn Weathers the Storm on
Tale of Two Seasons
Daddy Yankee Makes His Claim as the G.O.A.T. of Reggaetón in
Legendaddy
Labyrinthitis
Is All About Destroyer Having Fun
SPIN at SXSW: The Lemonheads Reignite Austin With
It’s a Shame About Ray
Performance
Rosalía’s
MOTOMAMI
Is a Hell of a Multi-Genre Ride
Fly Anakin Carves His Own Lane on
Frank
With
Love Sux
, Avril Lavigne Cements Pop-Punk Legacy
Big Thief’s Mammoth New Album Overflows With Indie-Folk Ambition
On
Laurel Hell,
Mitski Dashes for the Dance Floor
Eddie Vedder Takes a Look Inside on the Compelling
Earthling
Damon Albarn Addresses Taylor Swift Comments at Career-Spanning Intimate L.A. Show
The Weeknd Unleashes Purgatory Dance Fantasy on
Dawn FM
Adele Wonders What’s Next on Powerful
30
Taylor Swift Remakes Heartbreak Odyssey With
Red (Taylor’s Version)
Mick Jenkins Shines the Spotlight on the
Elephant in the Room
Foo Fighters Bring Glorious, Stadium-Size Rock to Rare Club Show
The War on Drugs’
I Don’t Live Here Anymore
Captures Their Thrilling Camaraderie
Larry June, Cardo and the Art of Dedication
Bon Iver Show No Rust at Self-Titled Anniversary Shows in Los Angeles
Lana Del Rey Delivers Stark Americana With
Blue Banisters
Let It Be – Super Deluxe Version
Repaints the Beatles’ Final Album
Rolling Stones Play ‘Wild Horses,’ ‘All Down The Line’ During Raucous L.A. Show
Coldplay’s
Music of the Spheres
Mixes Anthems With Space Junk
Moor Mother Time Travels Through
Black Encyclopedia of the Air
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IMPACT
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Addiction
How Ty Herndon Turned a Stint in Treatment into a Collection of No-Filler Comeback Tracks
Impact
VetsAid to Feature Final James Gang Set, Dave Grohl, NIN, Black Keys
Impact
Bloom Vol 23: Gratitude at The Gorge
Mental Health
Anthony Green Faced a Familiar Demon in the Creation of
Boom. Done
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