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1980s
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Page 3
Lana Del Rey Delivers Her Most Delicate Music Yet on
Chemtrails Over the Country Club
Pink Siifu & Fly Anakin Showcase a Cipher of Rising Talent on
$mokebreak
Glitterer’s
Life Is Not a Lesson
Is an Existential, Idiosyncratic Party
Julien Baker Embraces the Darkness on
Little Oblivions
On
TYRON
, slowthai Looks in a Cracked Mirror
Hayley Williams’
Flowers For Vases/Descansos
Is Her Saddest, Quietest Music Yet
Foo Fighters Swing for the Stadium (Again) on
Medicine at Midnight
Taylor Swift’s
Evermore
Is an Undeniable Folk-Pop Masterpiece
Clearbody Up Their Game With
One More Day
Miley Cyrus Embraces Her Rock Star Destiny on
Plastic Hearts
Ariana Grande Delivers Sultry Yet Forgettable R&B on
Positions
Magic Oneohtrix Point Never
Is a Surrealist FM Broadcast for the Alt-Pop Age
Bruce Springsteen’s
Letter to You
Is a Prayer of Strength and Resilience in the Face of Death
Tom Petty’s
Wildflowers & All the Rest
Offers an In-Depth Look Into One of His Finest Moments
The Killers Double Down on Arena Rock With
Imploding The Mirage
folklore
Is Taylor Swift’s Smoldering Pop Rebellion — Finally
The Revenge of
/\/\/\Y/\
Bob Dylan’s
Rough and Rowdy Ways
Paints a Better Self-Portrait
So Strange It’s a TV Show: Queens of the Stone Age’s
Rated R
Turns 20
Run the Jewels’
RTJ4
Is Driving Music for a Cop Car on Fire
On
Chromatica
, Lady Gaga Struggles Along With Us to Find What Normal Is
Feel the Wrath of the Fuckin’ Devilation: Three 6 Mafia’s
Mystic Stylez
Turns 25
A Party That’s Over Before It’s Begun: Sleater-Kinney’s
All Hands on the Bad One
Turns 20
Fiona Apple Breaks Bad With
Fetch the Bolt Cutters
Nine Inch Nails Face the Despair of Today on
Ghosts V-VI
2Pac’s
Me Against the World
Turns 25: Rap Legend Cemented His Legacy on Introspective Masterpiece
Pearl Jam Bounce Back With
Gigaton
Plus I Freak a Lemon Pie: Ghostface Killah’s
Supreme Clientele
Turns 20
Green Day Tinker With Different Styles on
Father of All Motherfuckers
Stone Temple Pilots Unplug for Poignant, Atmospheric
Perdida
They Might Be Giants’ Whimsy Feels Boundless on
Flood
Leonard Cohen’s ‘Thanks for the Dance’ Finds New Life After Death
Coldplay’s Adventurous
Everyday Life
Brings Them Gracefully Back Down to Earth
Smashing Pumpkins’
Pisces Iscariot
Is Thrill-Free for Casual Listeners
The Cranberries’
No Need to Argue
Hits the G-Spot With a Few Songs
R.E.M.’s
Monster
Is Intensely Satisfying
Nine Inch Nails’
The Fragile
Is Trent Reznor’s Epic Return
(Sandy) Alex G’s
House of Sugar
Is a Beautiful Mess
The Magnetic Fields’
69 Love Songs
: The 1999 SPIN Review
Lana Del Rey’s
Norman Fucking Rockwell!
Isn’t Afraid to Go Where Other Pop Stars Won’t
Taylor Swift’s
Lover
Shines in Its Quietest Moments
Quality Control’s
Control the Streets, Volume 2
is the Sound of Now, For Better or Worse
Young Thug at His Slickest Is Still Wilder Than Anyone Else
Sleater-Kinney’s
The Center Won’t Hold
is a Searing Look at the Pride and Prejudice of Aging
Tool’s
Fear Inoculum
Is a Transcendent Return
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145
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Killer Mike Is Keynote Masterblaster for FIRE’s Launch as National Free Speech Defender
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Lost on Boogie Mountain: How the Bee Gees’ Kid Brother, Andy Gibb, Hit the Peak of Pop Only to Die of a Coke-Broke Heart
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Cécile McLorin Salvant’s
Mélusine
is Imaginative and Thrilling
Blast Rites: Liturgy’s Breathtaking Avant-Garde Maximalism and More of March’s Best Metal
SPIN SETS Presents: Jason Leech
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