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SPIN Sessions
Spotlight
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Day in the Life
15 Minute Live Performances
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20 Years, 20 Questions
Altered State
Exit Interview
Interviews
Oral History
The SPIN Interview
SPIN TV
Lists
5 Albums I Can’t Live Without
Best Albums
Best New Artists
Best of So Far
Year-End Lists
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1980s
1990s
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SPIN 35
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Interviews
Screaming Females Almost Made a Pandemic Record
John Cale on Embracing Pop and the Avant-Garde
23 Years After Breaking Up, Knapsack Is More Popular Than Ever
Summer School Electronics Brought an Academic Mind to Guitar Pedals
Where to Next, Charley Crockett?
Nick Diener’s Career Has Been a Oneder
Ted Leo’s Ever-Changing Lanes
Legendary Tones and George Lynch Bring Modern Convenience to Vintage Amp Mods
Hardy’s Country-Rock Rebellion
Against Me!’s James Bowman Redefines Punk Rock Guitar Pedals
Radiohead’s Philip Selway on Atmospheric Solo LP, Radiohead’s Future
Mannequin Pussy’s Multi-Generational Anger (and Horniness)
Exit Interview: The Flaming Lips’ Wayne Coyne on Space Bubbles, The Smile, ‘Do You Realize??’ Demo
Black Mass Electronics Is the Aggressive Guitar Pedal Builder for a Good Cause
Rage Against the Machine’s Tim Commerford Reveals Private Battle With Prostate Cancer
The Midas Touch
Still Burning Down the House
Polyphia Is Bringing Sexy Guitar Shredding Back
How Maggie Lindemann Pivoted From Pop Star to Pop Punk
Black Enough? A Brilliant New Documentary Explores the Black Experience in Film
No Trigger Returned After a Decade to Show Why They’re More Punk Than Most Bands
Walter Schreifels Is Still Influencing Your Favorite Hardcore Band
Inside Remi Wolf’s Wild World of Pop Destruction
How Pinkshift’s Passion and Dedication Shaped
Love Me Forever
Fat Mike Is No ‘Punk Rock Cliché’
AC/DC’s Brian Johnson Digs Into
The Lives of Brian
in New Memoir
The ‘Rollercoaster Ride’ of Wild Pink’s
ILYSM
Alvvays Faced Down Challenges (and Came Out Better for Them) to Make
Blue Rev
Martin Gore on Depeche Mode’s Forthcoming Album and Tour
Lamb of God’s Omens Are Coming to Light
Bandsplain is Back with Road Trip-Worthy Music and Talk
Bet the House on Freddie Gibbs
L.S. Dunes Is the Post-Hardcore Anti-Supergroup Born Out of Memes and Friendship
Feid Is Making a Mark With Medellín-Made Reggaeton
The Reclamation of Jessie Baylin
Nikki Lane Softens Up… a Little
Starcrawler’s Family Affair Is Anything But Dysfunctional
Tim Burgess’ New Solo Album Is Anything But
Typical Music
Death Cab for Cutie’s ‘Exciting’ Writing Experiment Fueled Their Best Album in Years
Whitney’s 2000s-Era Pop Inspirations Hit Just Right on
Spark
Sampa the Great’s Dynamic Leap
Armor for Sleep Invites Listeners to Visit
The Rain Museum
How ‘Narco’ Became the Best Intro Song in Baseball
Ingrid Andress Searches for Good in Others – and Herself
Le Tigre’s Radical Dance Party Returns
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Community
Defending Free Speech Is a Dirty Job But Someone’s Gotta Do It: Talking the First Amendment with Nico Perrino of FIRE
Mental Health
Hubble Studio Feeds The Models
Mental Health
Road to Madness: The Dangers of Touring and How Musicians Cope
Addiction
The Toll of Living Life by the Drop: Margo Price Tells Her Truth
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