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Artist x Artist
Day in the Life
15 Minute Live Performances
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20 Years, 20 Questions
Altered State
Exit Interview
Interviews
Oral History
The SPIN Interview
SPIN TV
Lists
5 Albums I Can’t Live Without
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Best New Artists
Best of So Far
Year-End Lists
Archives
1980s
1990s
2000s
SPIN 35
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Interviews
The Kernom RIDGE May Be the Fanciest Overdrive Guitar Pedal in History
Templo Devices Finally Made a Portable Guitar Amp Worth Playing
Independent Again After a Decade of Success, FIDLAR’s DIY Spirit Still Burns Strong
Tom Cram’s Hiatus From His Legacy-Building Career at DigiTech/DOD Helped Launch Spiral Electric FX
Land Devices Is the Anonymous Pedal Builder Specializing in Obscure Circuits
An Ugly Mane Reborn
Fake Names Turn Hardcore Supergroup Roots Into Catchy Melodic Punk
Old Blood Noise Endeavors Puts Decades of Experience Into Uniquely Complex Pedals
The Raincoats’ Gina Birch Keeps It Fun, Loud, and Weird on Her Solo Debut
Doug Kauer on Designing Truly Unique Guitars and Guitar Racks
How FSC Instruments Became One of New York City’s Top Bespoke Guitar Manufacturers
IdiotBox Effects Fuses Pop Culture Nostalgia With Unique Guitar Pedals
Screaming Females Almost Made a Pandemic Record
John Cale on Embracing Pop and the Avant-Garde
23 Years After Breaking Up, Knapsack Is More Popular Than Ever
Summer School Electronics Brought an Academic Mind to Guitar Pedals
Where to Next, Charley Crockett?
Nick Diener’s Career Has Been a Oneder
Ted Leo’s Ever-Changing Lanes
Legendary Tones and George Lynch Bring Modern Convenience to Vintage Amp Mods
Hardy’s Country-Rock Rebellion
Against Me!’s James Bowman Redefines Punk Rock Guitar Pedals
Radiohead’s Philip Selway on Atmospheric Solo LP, Radiohead’s Future
Mannequin Pussy’s Multi-Generational Anger (and Horniness)
Exit Interview: The Flaming Lips’ Wayne Coyne on Space Bubbles, The Smile, ‘Do You Realize??’ Demo
Black Mass Electronics Is the Aggressive Guitar Pedal Builder for a Good Cause
Rage Against the Machine’s Tim Commerford Reveals Private Battle With Prostate Cancer
Still Burning Down the House
The Midas Touch
Polyphia Is Bringing Sexy Guitar Shredding Back
How Maggie Lindemann Pivoted From Pop Star to Pop Punk
Black Enough? A Brilliant New Documentary Explores the Black Experience in Film
No Trigger Returned After a Decade to Show Why They’re More Punk Than Most Bands
Walter Schreifels Is Still Influencing Your Favorite Hardcore Band
Inside Remi Wolf’s Wild World of Pop Destruction
How Pinkshift’s Passion and Dedication Shaped
Love Me Forever
Fat Mike Is No ‘Punk Rock Cliché’
AC/DC’s Brian Johnson Digs Into
The Lives of Brian
in New Memoir
The ‘Rollercoaster Ride’ of Wild Pink’s
ILYSM
Alvvays Faced Down Challenges (and Came Out Better for Them) to Make
Blue Rev
Martin Gore on Depeche Mode’s Forthcoming Album and Tour
Lamb of God’s Omens Are Coming to Light
Bandsplain is Back with Road Trip-Worthy Music and Talk
Bet the House on Freddie Gibbs
L.S. Dunes Is the Post-Hardcore Anti-Supergroup Born Out of Memes and Friendship
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Community
Melissa Etheridge: ‘What Are We Gonna Do About the Gay Thing?’
Community
Pussy-Positive Oogie-Powered Hitchhiking Hip-Hopping Orgy Serenader Comes Out of the Rabbit Hole: It’s Audley Time
Impact
Killer Mike Is Keynote Masterblaster for FIRE’s Launch as National Free Speech Defender
Addiction
Lost on Boogie Mountain: How the Bee Gees’ Kid Brother, Andy Gibb, Hit the Peak of Pop Only to Die of a Coke-Broke Heart
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