The Afghan Whigs’ Greg Dulli Lights a New Fire

Shooting Hoops With Perry Farrell

Collective Soul Makes Up For Lost Time

The Kills Are Ready to Roar

Art Alexakis’s World of Noise: Everclear at 30

Bob Stinson’s Stint With The Bleeding Hearts Finally Sees the Light of Day

The Strange Legacy and Unexpected Return of The Boo Radleys

Drummer Jack Irons Is Still ‘Fishing’ for New Sounds

Pearl Jam’s Stone Gossard on Reviving Loosegroove Label: ‘I’m Still A Kid in the Sandbox’

E of Eels Reflects on Beyoncé’s ‘Extreme Witchcraft,’ Yappy Dogs and His New Album

Producer Brendan O’Brien Goes Behind the Making of the ‘Bittersweet’ Final Chris Cornell LP

Eve 6’s Max Collins on New Single ‘androgyne friend’ and Wanting to Collaborate With John Hinckley Jr.

Goo Goo Dolls’ John Rzeznik Reflects on Phoebe Bridgers Giving New Life to ‘Iris’ and Flaunts His Jersey Pride

Incubus’ Brandon Boyd Teases Third Solo Album With ‘Pocket Knife’

They Might Be Genius

Death Cab for Cutie: How Dysfunction and Desire Fueled The Photo Album

Matthew Sweet on Girlfriend Turning 30: ‘I Still Feel It Very Strongly’

Mark Lanegan on His New Dark Mark vs Skeleton Joe Project, Why He Moved to Ireland

Tom Morello Learned to Adapt and Thrive on New Atlas Underground LP

Tomorrow Begat Tomorrow: An Oral History of Soundgarden’s Badmotorfinger

Wicked Pissah!

Pearl Jam’s Jeff Ament Talks Anniversaries and I Should Be Outside

Tom DeLonge Is Still Optimistic About the Padres’ Chances This Season

Perry Farrell’s 5 Favorite Lollapalooza Moments

How Jimmy Eat World Fought Their Way Out of ‘The Middle’

Esteemed Grunge Band Deserved Fame

Modest Mouse’s Aware-anoia and Singing Through the End Times

Tim Foljahn’s Dream of Life

Liz Almighty

Shirley Manson Aims to Find Truth on Garbage’s No Gods No Masters

Kinship in the Kind Heaven Orchestra

Dave Keuning on New Solo LP, Moving Forward With the Killers

The Rain King

Teenage Fanclub’s Next Chapter

‘Natural Reverbs and Crazy Sounds’: 25 Years of Stone Temple Pilots’ Tiny Music…

The Offspring ‘Let the Bad Times Roll’ Not a Minute Too Late

Tomahawk’s Oddfellows Create Sonic Mobility

Mike McCready on His New Guitar and Pearl Jam’s Year That Wasn’t

Dinosaur Jr’s Green Mind Turns 30

Local H’s Scott Lucas on the Band’s Longevity and Copacetic Career

The Tracks of My Years

Eve 6’s Max Collins Is More Than Just the King of Music Twitter

Exit Interview: Mark Lanegan Reflects on a Prolific Literary Year, Leaving the U.S. Due to the Pandemic

Matt Cameron’s New Project Aims to Make Up for a Lost Year

How No Need to Argue Turned The Cranberries Into Stars