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Lykke Li Waffles Between Pop and Anti-Pop on Soggy ‘I Never Learn’
Unsung Guitar Heroes Wussy Nail Rust-Belt Americana on ‘Attica!’
Gucci Mane and Young Thug Join Forces, Drag Feet on Phoned-In ‘Young Thugga Mane La Flare’
Many Arms Add Sax Skronk to Jazz-Punk, Achieve Liftoff on ‘Suspended Definition’
Pixies – Kim + Rampant B.S. = ‘Indie Cindy,’ an Oddly Listenable Failure
Wye Oak Swap Guitars for Synths on Soaring ‘Shriek’
Thee Oh Sees’ Garage-Rock Endures on Sorta-Surprise Release ‘Drop’
Wavves’ Sweet Valley Meet Rap Bruiser DaVinci on Goofy-Great ‘Ghetto Cuisine’
Purling Hiss Unearth Their Scuzzy, Lovesick Roots on ‘Dizzy Polizzy’
TEEN’s Faux-R&B Ploy ‘The Way and Color’ Elevates Discomfort to a Fine Art
August Alsina’s In-the-Pocket R&B Outshines Its Glitzy Guests on ‘Testimony’
Aussie Rapper Iggy Azalea’s ‘The New Classic’ Is a Stone Cold Dud
Gather ‘Round the Fire, Woods Win Hearts ‘With Light and Love’
Duck Sauce Make Better Sketches than Jams on Lackluster ‘Quack’
Protomartyr Open a Can of Post-Punk, Whoop-Ass on ‘Under Color of Official Right’
The Afghan Whigs Trounce Corgan, Channel Usher on Righteous Comeback ‘Do to the Beast’
SZA’s Soft Focus Soul Slips Into the Background on ‘Z’
‘The Future’s Void,’ But EMA Has Some Answers on Her Acerbic Sophomore Album
Ted Leo and Aimee Mann Double Your Power-Pop Pleasure as ‘The Both’
Damn Right ‘It’s Album Time’: House Whiz Todd Terje Drops a Booty Bomb
Avey Tare’s New Trio Delivers Chills, Thrills on ‘Enter the Slasher House’
Ratking Resurrect Backpack Rap on ‘So It Goes,’ and It Doesn’t Suck
Nirvana: SPIN’s Original Album Reviews, Collected
Bon Iver’s S. Carey Forges His Own Path on ‘Range of Light’
Review: Thievery Corporation, ‘Saudade’
Jon Langford Questions War, Puff Pieces on Delightful ‘Here Be Monsters’
Post-Rock Supergroup Inventions Conjure Transfixing Debut
Cloud Nothings Hit Emo’s Sweet (And Sour) Spot on ‘Here And Nowhere Else’
Mac DeMarco is the Slacker With a Heart of Gold on the Endearing ‘Salad Days’
Pilgrim Worship All That is Dark, Evil, Nerdy on ‘II: Void Worship’
The Hold Steady Reboot Their Sad-Bastard Rock Moves on ‘Teeth Dreams’
Liars Bring The Noise, Funk, Bath Salts On Mesmerizing ‘Mess’
Skrillex Flirts With Top 40 On His Occasionally Brilliant ‘Recess’
Annie Clark Burns Down the Boys’ Club on the Poised, Effortless ‘St. Vincent’
Untold’s Deathly Drops, Optimo’s Spacey Blues, and 10 More New Dance LP’s in Control Voltage
Young Thug’s Weirdo Warbling, Isaiah Rashad’s Scrappy Lyricism, and Eight More New Rap LPs
Read SPIN’s Review of the ‘Ultimate Breaks & Beats’ Compilation Series
Against Me! Challenge Old Fans and Mint New Ones With ‘Transgender Dysphoria Blues’
Principe Discos’ Kuduro Mutations, Nina Kraviz’ Ice-House, 8 More Dance LPs in Control Voltage
Da Mafia 6ix Hypnotize, Yo Gotti Surprises, Death Grips Flip, and 8 More New Rap LPs in No Trivia
The Necks’ Cloud-Jazz, Gabriel Soloman’s War Drones, & 15 More Avant-LPs in Concrète Jungle
Kellie Pickler Gets Famous, Eric Church Goes Metal, and Much More from SPIN Country
Ryan Hemsworth’s Radiohead Rave, DJ Rashad’s Footwork, 11 More Dance LPs in Control Voltage
M.I.A. Dazzles, Confounds, and Infuriates Again and Again on ‘Matangi’
Korn’s Paradigm Shift, Testament Singer’s M.J. Tribute, and 8 More Metal LPs in Grind Time
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