New Music
Review: Bombino’s Red-Hot Guitar Sings the Desert Blues on ‘Azel’
Jay Arner Yearns for 20/20 Vision on ‘Crystal Ball’
Totemo Finds Highs and Lows on the West Coast in ‘See Saw’ Video
Review: Open Mike Eagle and Paul White Get Up Close and Well, You Know, on ‘Hella Personal Film Festival’
SPIN’s 7 Favorite Songs of the Week: Kamaiyah, M.I.A., Ex-Terrestrial, and More
Review: Hop Along Set Themselves on Fire to Keep Us Warm on ‘Get Disowned’
SPIN Electronic Report: Moodymann Mixes Up His True Classic, Avalon Emerson Yells ‘Serenity Now!’
Hot Chip’s Alexis Taylor is a 3D Mondrian Landscape In Shit Robot’s ‘End Of the Trail’ Video
Recondite Cultivates a Dark Headspace on Spectral ‘Warg’
Junglepussy: The Rapper Sliding Into Your DMs
AJ Cornell and Tim Darcy Tentatively Embrace the Avant-Garde With ‘Too Significant To Ignore’
Djustin Capture Love From Afar in the Shimmering ‘Stars’
Review: We’ve Got Some Doubts About Gwen Stefani’s ‘This Is What the Truth Feels Like’
