New Music

Megafauna Consider Universal Consciousness on Metal-Tinged ‘Panpsychist’

Drake’s ‘Views’: SPIN’s Impulsive Reviews

Review: Beyoncé Is the Rightful Heir to Michael Jackson and Prince on ‘Lemonade’

Miserable Finds Grace in the Profane on ‘Uncontrollable’ LP

Nothing’s Dreams Burn Down on New Single ‘The Dead Are Dumb’

Haybaby Sow Brilliant Sludge-Rock Tension for ‘Blood Harvest’

Mo Troper Deploys Bitingly Melodic Garage Rock on ‘Beloved’ LP

Open Wide for Museum Mouth’s ‘Popcorn Fish Guinea Pig’ Album

Ricky Eat Acid Passes Around New ‘Triple Cup’

Kyle Craft Sings His Bowie-Filtered Version of the Blues on ‘Dolls of Highland’

Review: Konono Nº1 and Batida Redefine Trance on ‘Konono Nº1 Meets Batida’

Review: Prince – Sign o’ the Times

SPIN’s 7 Favorite Prince Songs

Electronic Duo WEVAL Win ‘The Battle’ of Balance

Rob Baird Finds New, Folk-Laden Path With ‘Horses’