New Music
Animal Collective’s Deakin Offers a Thwomping, Pristine Remix to Niagara’s ‘Hyperocean’
Review: Blink-182 Guess What Growing Up Is on ‘California’
Big Thief: The Dynamic Indie Quartet Can’t Be Satisfied With One ‘Masterpiece’
Review: Bat for Lashes’ Side Is Always a Bit Lonely on ‘The Bride’
Listen to Alcatraz Harry’s Hypnotic ‘Ode to Frankfurt’ Off Jackmaster’s ‘DJ Kicks’
SPIN Pop Report: All Saints’ Reunion Unexpectedly Rules, Kiiara’s a Cyborg But She’s Our Cyborg
Review: Maxwell Relieves That Stress (on His Syllables) With ‘blackSUMMERS’night’
Review: Blood Orange Is Fired Up and Ready to Go on ‘Freetown Sound’
GØGGS Explore Los Angeles’ Seedy Underbelly on Raucous Debut LP
Review: Allow DJ Shadow to Re-Endtroduce Himself on ‘The Mountain Will Fall’
SPIN’s 7 Favorite Songs of the Week: The Avalanches, Portishead, and More
Review: Mumford and Sons Travel to ‘Johannesburg’ for a Little Eat, Pray, Banjo
Y La Bamba’s ‘Ostrich’ Takes on Heritage and Growth – But Not Flight
