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SPIN Essentials
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SPIN Essentials
The War on Drugs Conjure a Gorgeous, Wide-Open Claustrophobia on ‘Lost in the Dream’
Neneh Cherry’s ‘Blank Project’ Is an Ocean of Intimate, Nonchalantly Electrifying Funk
Annie Clark Burns Down the Boys’ Club on the Poised, Effortless ‘St. Vincent’
Eric Church Plays Both Suave Rock God and Country Music Jesus on ‘The Outsiders’
Actress’ ‘Ghettoville’ Is a Spectacularly Icy Riot of Grouchy, Grimey Outsider Dance Music
Against Me! Challenge Old Fans and Mint New Ones With ‘Transgender Dysphoria Blues’
Beyonce Outdoes Herself (and Everyone Else) With the Humanizing, Superhuman ‘Beyonce’
Death Grips Are Through Being Polite on the Manic, Defiant ‘Government Plates’
John Talabot’s Extraordinary ‘DJ-Kicks’ Entry Is a Love Letter to the Warm-Up Set
The Necks Bend Space and Time With the Ambient-Jazz Triumph ‘Open’
Omar Souleyman’s Intense, Swooning ‘Wenu Wenu’ Brings Dabke to the Club-Kid Masses
Tim Hecker Conducts Harrowing, Thrilling Drone Warfare on His New Masterpiece, ‘Virgins’
Matana Roberts Weaves Stunning Avant-Jazz Tapestry on ‘Coin Coin Chapter Two: Mississippi Moonchile’
Haim’s ‘Days Are Gone’ Is a Canny, Calculated Burst of ’80s Art-Pop Perfection
Bill Callahan Is a Fount of Gorgeously Economical Gravitas on ‘Dream River’
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