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Album of the Week
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Album of the Week
Review: Torche Are So Un-Metal They’re Actually Metal on ‘Restarter’
Review: All Work and No Play for Drake on ‘If You’re Reading This It’s Too Late’
Review: Father John Misty’s Breathtaking ‘I Love You, Honeybear’
Review: All We Are’s Self-Titled, Domestic Disco
Review: Monster Rally and Jay Stone’s Hip-Hop Vacation, ‘Foreign Pedestrians’
Review: Viet Cong Make Like the Last Post-Punks on Self-Titled Debut
Review: Panda Bear Explores the Rabbit Hole on ‘Panda Bear Meets the Grim Reaper’
Review: Death Grips Rise From the Dead With the Explosive ‘Fashion Week’
Review: Charli XCX Punks Us All With ‘Sucker’
Review: Ghostface Killah’s ’36 Seasons’ Is Faster Than a Speeding Bullet
Review: Mary J. Blige’s Organic, Heartfelt ‘London Sessions’
Review: Andy Stott’s Beautiful and Brutal Electronic Epic, ‘Faith in Strangers’
Review: Serengeti’s Emmy-Worthy ‘Kenny Dennis III’
Review: Deerhoof’s Delightfully Wonky ‘La Isla Bonita’
Review: Run the Jewels’ Incendiary ‘Run the Jewels 2’
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