New Music
Review: The Paranoid Style Make the Trump-Era Send-Up of the Year on ‘Rolling Disclosure’
Review: With ‘Cheetah,’ Aphex Twin Isn’t Just Back, He’s Prolific Again
Dua Lipa: From Britain to the World, a Pop Star With Unflagging Confidence
SPIN’s 7 Favorite Songs of the Week: ScHoolboy Q, Crystal Castles, and More
Classic Reviews: The Avalanches, ‘Since I Left You’
Review: Since They Left Us, the Avalanches Found a World Not All That New on ‘Wildflower’
Creative Adult Use Growling Riffs to ‘Heal’ Themselves on New Track
Review: On ‘Nice as F**k,’ Jenny Lewis’ New Band Is Just Okay as F**k
Take a Stroll Down Blue States’ ‘Vision Trail’ on Ethereal New Song
Strange Relations’ ‘Going Out’ Is a Great Reason to Stay in Today
Michete Plays With Dolls and Minds in ‘Come Get It, Daddy’ Video
Review: TV on the Radio, ‘Return to Cookie Mountain’
Review: Desiigner Is Already Repeating Himself on His First Tape, ‘New English’
