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Dan Weiss
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Archives for Dan Weiss
Q&A: Da Internz Talk Nicki Minaj’s ‘Anaconda,’ Tease Lil Wayne’s ‘Tha Carter V’
The Afghan Whigs Dissect ‘Gentlemen,’ Track By Track
Review: Serengeti’s Emmy-Worthy ‘Kenny Dennis III’
The Dismemberment Plan’s Travis Morrison Ponders ‘Change,’ Track By Track
Q&A: Young Fathers on Their Mercury Prize Win and (Already!) Returning to the Studio
Q&A: Thurston Moore Talks New Solo Album and How to Compose a Power-Drill Solo
Review: Run the Jewels’ Incendiary ‘Run the Jewels 2’
Madlib Chops the Rock on Underwhelming ‘Rock Konducta Vol. 2’
Emo Forefathers Braid Return Triumphantly with the Hook-Drenched ‘No Coast’
Lana Del Rey Beats the Internet, Nods to Pink Floyd on ‘Ultraviolence’
Conor Oberst Channels Don Henley on Delectably Inscrutable ‘Upside Down Mountain’
New Black Keys Album ‘Turn Blue’ Is Pretty Good, But It’s Still a Black Keys Album
Pixies – Kim + Rampant B.S. = ‘Indie Cindy,’ an Oddly Listenable Failure
Thee Oh Sees’ Garage-Rock Endures on Sorta-Surprise Release ‘Drop’
Ted Leo and Aimee Mann Double Your Power-Pop Pleasure as ‘The Both’
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