New Music
Review: Follakzoid Goes Into a Post-Krautrock Trance on ‘III’
Review: Liturgy Won’t Be Your Thinkpiece Anymore on ‘The Ark Work’
Review: Laura Marling Reaches the Second Reel of Life’s ‘Short Movie’
SPIN Singles Mix: Florence Prays to ‘St. Jude,’ Blur Visits ‘Lonesome Street,’ and More
Review: Earl Sweatshirt Makes the Most of Self-Induced House Arrest on ‘I Don’t Like S**t, I Don’t Go Outside’
Review: Action Bronson Painlessly Graduates From Mixtapes to Albums on ‘Mr. Wonderful’
Stream King Gizzard & the Lizard Wizard’s Mellow Acid Trip ‘God Is in the Rhythm’
Review: Chastity Belt Turn Goth Into Wry Feminism on ‘Time to Go Home’
Review: Courtney Barnett’s Exhilarating ‘Sometimes I Sit and Think, and Sometimes I Just Sit’
Review: Tobias Jesso Jr. Falls Short of Nilsson and Newman on ‘Goon’
Review: Kendrick Lamar Returns With the Great American Hip-Hop Album, ‘To Pimp a Butterfly’
Review: Modest Mouse’s Middling Comeback, ‘Strangers to Ourselves’
SPIN Electronic Report: Levon Vincent Makes a Splash, DJ Sotofett Blurs Genre Lines
