Give Me What I Deserve: The Definitive Ranking of Mariah Carey’s #1 Singles
For the 30th anniversary of Mimi's debut, we sorted out her 19 chart-toppers once and for all
The world knew what Mariah Carey was capable of from the very first vocal run, during her national television debut on the Arsenio Hall Show back in 1990.
Once the 20-year-old vocalist came out the gate with the words “Treated me kind…” and enough hand-waving to make a traffic director retire on the spot, her sucker-punch of a debut single “Vision of Love” had cemented her place in history.
It was a ballad which, very soon, cemented its place atop the Billboard Hot 100, as three more singles from the same debut album followed suit: “I Don’t Wanna Cry,” “Love Takes Time” and “Someday.” Carey’s self-titled debut, released on this day 30 years ago, was only the first domino in a career of history-making vocal prowess that completely changed the course of pop by the mid ’90s. Since then, Carey has managed to place 19 total songs in the most coveted spot in all of music, earning more chart-toppers than any solo artist in music history, a feat only the Beatles have bested by just one. She’s conquered the early ‘90s, tapped Diddy for some late ‘90s classics, “I don’t know her’d” her way toward ’00s success and become the queen of Christmas for three-straight decades. So, in honor of 30 years of one of the greatest debuts in pop history and an unmatched record of hits, we’ve ranked Carey’s 19 No. 1 singles, in order from “really great” to “she-did-not-just-bless-us-like-that phenomenal.”
19. “I’ll Be There” feat. Trey Lorenz (MTV Unplugged, 1992)
Throwback to when you could cover a track and watch it absolutely soar up the charts. “I’ll Be There” not only made for a lovely MTV Unplugged record, but established an impeccable ear for collaborators; she’d invite Trey Lorenz to reprise his role on this song when the two performed it at Michael Jackson’s 2009 funeral. But their hit rendition doesn’t add much new to the Jackson 5’s 1970 original, or stray very far, so it’s got to come in last. Imagine what she could’ve done to “Rockin’ Robin” instead.
18. “Don’t Forget About Us” (The Emancipation of Mimi, 2005)
“Don’t Forget About Us” helped seal Mariah’s ‘05 comeback as destiny rather than luck, as The Emancipation of Mimi’s fifth and most head-bop-provoking single. And while those raspy vocals throughout just give us another reason to not forget about Carey’s ability to dish out hits, it’s still one of her least-memorable chart toppers. It’s not necessarily fair to the song that had to follow the astounding run of “Shake It Off” and “We Belong Together,” but production touches like those circa-2o05 pre-chorus drums haven’t aged as well as its predecessors.
17. I Don’t Wanna Cry” (Mariah Carey, 1990)
In what can be viewed as a precursor to 1997’s charming chart-topper “My All,” thanks to its immersive acoustic guitar licks and the unwavering sadness you feel the second you hit play, this track gets the waterworks flowing like Niagara Falls beneath a disappearing ozone layer. “I Don’t Wanna Cry,” one of Mimi’s debut singles, definitely shows its age as a ballad, but ugly-crying is timeless.
16. “Thank God I Found You” feat. Joe and 98 Degrees (Rainbow, 2000)
As much as we love our ‘90s boy bands, this one would work a bit better if it were 98 degrees cooler. “Thank God I Found You” is still early ‘00s pop in a nutshell, though, helmed by new jack swing pioneers Jimmy Jam and Terry Lewis. But while the melody is compelling, this particular tag-team feels a bit bizarre — our lord and savior need not share space with mere mortals like Nick Lachey.
15. “Love Takes Time” (Mariah Carey, 1990)
Post-1980s big-hair Mariah had a voice sent from even further high up than her climactic notes, and the pop charts clearly needed to let a few tears loose. “Love Takes Time” is another reminder of Carey’s impact on adult-contemporary listeners’ heartstrings, with a whistle register we never, ever forgot. When that bassline slaps you in the face with a minute left and Mariah hits you with “But I know that you do and I feel that you do, inside,” it’s like she’s challenging your tear ducts to a duel.
14. “Someday” (Mariah Carey, 1990)
Carey may hate the track’s music video, but “Someday” was our first glimpse of Mimi trying something that wasn’t a mega-ballad. And it’s the perfect ‘90s breakup song with enough “You’re gonna be wishing for me” to let the whole world know this diva’s heart is now open for vacancy. Someone, somewhere, is still listening back 30 years later and regretting leaving Mariah in the dust. But even DJing their own pity party they’d have to admit this slaps.
“13. “One Sweet Day” with Boyz II Men (Daydream, 1995)
If it wasn’t for “Old Town Road,” Carey and Boyz II Men’s unforgettable ballad “One Sweet Day” would still be the most successful song to ever touch the Hot 100, holding the record for most consequent weeks at No. 1 with 16. And though they ultimately suffered defeat as a casualty of the yeehaw agenda, “One Sweet Day” can still carry listeners through any emotional hardship, even if the track isn’t for every mood. Back when Lil Nas X was Nonexistent Nas X, Carey kept the charts for herself, and this town wasn’t big enough for the both of them.
12. “Hero” (Music Box, 1993)
In 30 years of redefining the love ballad as we know it, “Hero” could well be Mariah’s most recognizable. By relaying a message of finding any accomplishment within yourself through virtuosic singing that literally nobody else on this planet can emulate, “Hero” is a bit of a contradiction. But it’s the perfect contradiction. Because perfection is Mariah’s superpower.
11. “Emotions” (Emotions, 1991)
After your first record is responsible for four No. 1 singles, there’s only one right way to follow up: by hitting a note that few of our species have ever hit before (2:48, I’m looking at you, honey). It’s almost scary how nonchalantly she just ascends to uncharted heights like it’s NBD, but it makes for an unforgettable moment in pop history. And the rest of the song is a trip to the candy store in its right. But there’s no way the car she’s riding in when she belts this out in the music video made it through production with its windows intact.