Editors Blog

Despite Lil Wayne and Kid Rock, Is Country Music Still Racist?

Don't let the green grass fool you, says SPIN's Charles Aaron: The CMAs lack cultural change we can believe in.
Kid Rock and Lil Wayne / Photo by Rick Diamond/WireImage.com
Kid Rock and Lil Wayne / Photo by Rick Diamond/WireImage.com

Unless you had taped episodes of Gossip Girl, True Blood, 30 Rock, The Office, Skins, and Yo Gabba Gabba! to watch (like me), then Wednesday night's Country Music Awards was txt-yr-BFFz appointment television. Why? Well, it sure as hell wasn't for scintillating thunder-and-lightning cohosts Brad Paisley (forgot to wear his lifts) and Carrie Underwood (can't remember her last meal), who reached John McCain-like levels of cue-card clumsiness.

Nor was it for the latest in an endless parade of promo spots by warbling blonde teen automoton Taylor Swift (is there any artist, aside from maybe Led Zeppelin, who more unites aging white-guy rock critics?) No, the big CMA hype was for faux-Martian axeman/MC Lil Wayne, who was scheduled to appear with faux-redneck axeman/MC Kid Rock, and perform the shit-kickin' millionaire's werewolves-of-Alabama blight on 2008, "All Summer Long."

Admittedly, the idea of Weezy crashing the country-music megachurch and potentially rapping about venereal disease and Xanax prisons and oh, the devil, was pretty enticing. Unfortunately, it was a massive non-event, as Mr. F. Baby simply stood onstage innocuously in a football jersey and shades and fedora and pretended to pluck at the strings of his guitar (imagine Jim Belushi at a Blues Brothers concert circa 1997). He didn't rap, nobody introduced him, and he barely looked up at the non-plussed audience. At best, he was Kid Rock's cred trophy, like Run-D.M.C. years before. All Wayne's no-show revealed was how awkwardly lily-white the country world remains. He's never looked more like an alien.

So clearly, a lot of questions were raised afterwards, beyond the usual CMA heckling, like, "What the hell is the deal with Trace Adkins and is there any reason not to be scared shitless of him?" (Adkins, whose 2005 smash "Honky Tonk Badonkadonk" was a stupefying jock-jam spoof of hip-hop slang/imagery, complete with butt-quaking in-da-club video and synth-funk beat, looked like Hulk Hogan's mean-ass little brother at the CMAs, and turned the beautiful, nostalgic ballad "You're Gonna Miss This" into a weirdly menacing threat.)

Anyway, here are the Top 10 most pressing questions that came to mind post-CMA before I went back to obsessing over that shapeshifting dog and Helter Skelter hippie chick on True Blood.

1. Why is it easier in 2008 to elect a black president than to have a legit black country music star? I mean, Charley Pride scored 36 No. 1 country hits in the '60s, '70s, and '80s, but other than that, the handful of African-American country singers who've gotten any notice -- O.B. "The Chocolate Cowboy" McClinton, Stoney Edwards, Cleve Francis, Rissi Palmer, Trini Triggs, Carl Ray, Vicki Vann -- have been marginalized despite obvious talents. It's certainly not a white-rapper situation, where the vocal abilities of the would-be crossovers are, generally speaking, embarrassingly derivative, overmarketed garbage. With a decent song, it's been proven repeatedly -- literally anybody can have a country hit. C'mon Nashville, it's time for change we can believe in!

2. Since the Lil Wayne debacle means that Cowboy Troy is still the only African-American to ever rap on the CMAs (See Big & Rich's "Rollin'" in 2004), shouldn't we be investigating whether the hick-hopper cut some backroom deal to shut Weezy up? Really, what other explanation is there?

3. Why does Kid Rock keep getting credit for cheesily integrating the most hackneyed, Southern-strategy aspects of "white" culture with the most obvious, minstrel-like qualities of "black" culture? The only thing that blowhard should ever be acknowledged for is the fact that he still patronizes Waffle House.

4. Has there ever been a more pathetic tribute to a punk legend than Kid Rock's troll-like guitar player wearing a "Joe the Strummer" t-shirt while hacking through the riff from Lynyrd Skynyrd's "Sweet Home Alabama"?

5. How bummed is Nelly that nobody even remembers that "Over and Over" song he did with Tim McGraw back in 2004, breaking the hip-hop/country barrier?

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