Skip to content
New Music
All
All Eyes On
Blast Rites
Blue Chips
Daybreaker
Difficult Fun
Lyrics
Performances
In My Room
Sets
SPIN Sessions
Spotlight
Artist x Artist
Day in the Life
15 Minute Live Performances
Reviews
News
Features
5 Years
20 Years, 20 Questions
Altered State
Exit Interview
Interviews
Oral History
The SPIN Interview
SPIN TV
Lists
5 Albums I Can’t Live Without
Best Albums
Best New Artists
Best of So Far
Year-End Lists
Archives
1980s
1990s
2000s
SPIN 35
Impact
Shop
Decades
Search
Close
Instagram
Facebook
Twitter
Search
Close
New Music
All
All Eyes On
Blast Rites
Blue Chips
Daybreaker
Difficult Fun
Lyrics
Performances
In My Room
Sets
SPIN Sessions
Spotlight
Artist x Artist
Day in the Life
15 Minute Live Performances
Reviews
News
Features
5 Years
20 Years, 20 Questions
Altered State
Exit Interview
Interviews
Oral History
The SPIN Interview
SPIN TV
Lists
5 Albums I Can’t Live Without
Best Albums
Best New Artists
Best of So Far
Year-End Lists
Archives
1980s
1990s
2000s
SPIN 35
Impact
Shop
Decades
ok go
Home
»
ok go
They Might Be Giants’
Flood
Turns 30: Musicians Extol the Landmark Album
OK Go Take Us Behind the Scenes of Their New Video’s Wildest Illusion
OK Go’s Latest Video Is a Dizzying Blitz of Optical Illusion
My Favorite Things: OK Go’s Damian Kulash
OK Go, ‘180/365’ (Paracadute)
How Amanda Palmer & Pals Cut an Album in One Day
The 20 Best Music Videos of 2010
Career Move of the Year: Videos Go Viral
WATCH: OK Go’s Latest Viral Video Is Toast
WATCH: OK Go’s “White Knuckles” Clip
WATCH: OK Go Premiere New Music Video
See Your Favorite Bands at Bonnaroo with SPIN!
Green Room Interview: OK Go
Terrific Twitter Trio of the Week
Review: OK Go, ‘Of the Blue Colour of the Sky’
Q&A: OK Go’s Damian Kulash
New Albums from Vampire Weekend & More!
IMPACT
View All
Impact
Jewel’s Metaverse of Healing
Impact
Travie McCoy on His ‘Poignant’ Meet-and-Greet Moment, Being a Role Model for Fans
Community
Voxtrot’s Ramesh Srivastava on Visibility as a Gay Musician
Impact
Bloom Vol 29: Schemas
more from spin
THE ART OF THE JUMP-OFF
‘Liberty Had Turned [Elton] Down After Recording Demos With Him’
Rancid Stays True to Its Radical Roots on
Tomorrow Never Comes
Scroll to Top