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Album of the Week
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Album of the Week
Review: Kevin Gates Needs No Assists to Fuse His Yin and Yang on ‘Islah’
Review: Roly Porter Savors, Then Smashes the Silence on ‘Third Law’
Review: Brothers Osborne Take Country to the ‘Pawn Shop,’ Leave With Something New
Review: Baroness Rebound From Tragedy With a ‘Purple’ Haze
Review: Lizzo Is Primed for WRRRLD Domination on ‘Big GRRRL Small World’
Review: Erykah Badu Continues R&B’s Longtime Game of Telephone on ‘But You Caint Use My Phone’
Review: Pop Is Rebuilt in SOPHIE’s Own Mysterious Image on ‘PRODUCT’
Review: Sadie Switchblade Is Rock’s Most Beautiful Loser on Dyke Drama’s ‘Tender Resignation’ EP
Review: DJ Paypal Makes Footwork Funny on ‘Sold Out’
Review: Floating Points’ Symphony Reaches the Sublime on the Ethereal ‘Elaenia’
Review: Beach Slang Put Out an APB for the ‘People Who Feel Like Us’
Review: Seinabo Sey Makes Empathy Thrilling on ‘Pretend’
Review: Majical Cloudz Are Here for You on ‘Are You Alone?’
Review: Kelela Cuts Open Her Soul 4 Us on Lustrous ‘Hallucinogen’ EP
Review: Childbirth Gleefully Skewer Men’s Wrongs on ‘Women’s Rights’
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