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Theon Weber
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Archives for Theon Weber
Review: We Really Love the Julie Ruin’s ‘Hit Reset’ (But They’d Rather Not Know)
Review: Garbage Have Finally Upgraded to Version 3.0 on ‘Strange Little Birds’
Review: Ariana Grande Asks Why We’re Wearing That Stupid Man Suit on ‘Dangerous Woman’
Review: We’ve Got Some Doubts About Gwen Stefani’s ‘This Is What the Truth Feels Like’
Review: Bloc Party Take Us to Church on ‘Hymns’
Review: CHVRCHES Explore the Pleasures and Limitations of Synth-Pop on ‘Every Open Eye’
SPIN 30: Your Hard Drive Reminisces About Beating ‘Kid A’ and a Simpler Time Before Tidal
Review: Bob Dylan Teaches Sinatra to Sing on the Rustling ‘Shadows in the Night’
Review: Ghostface Killah’s ’36 Seasons’ Is Faster Than a Speeding Bullet
Review: TV on the Radio Make Like Happy Idiots on the Breezy ‘Seeds’
Fucked Up Become Their Own Black Hole on the Impossibly Dense ‘Glass Boys’
Jimmy Eat World, ‘Damage’ (RCA)
Paramore, ‘Paramore’ (Fueled by Ramen)
Deftones, ‘Koi No Yokan’ (Reprise)
No Doubt, ‘Push and Shove’ (Interscope)
Passion Pit, ‘Gossamer’ (Columbia)
The Offspring, ‘Days Go By’ (Columbia)
G-Side, ‘iSLAND’ (Slow Motion Soundz)
Caithlin de Marrais, ‘Red Coats’ (End Up)
Miranda Lambert, ‘Four the Record’ (RCA Nashville)
Review: Evanescence, ‘Evanescence’
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Into The Void: Hot Water Music’s Enduring Punk Presence
Impact
Bloom Vol 16: The Power of Sensitivity
Criminal Justice Reform
Danielle Ponder Fights for Change on the Stage and in the Courtroom
Impact
Bloom Vol 15: What Has Been Lost
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