Jason Gubbels
SPIN World Report: Ukandanz’s Ethiopian Crunch, Kel Assouf’s Tuareg Stoner-Grunge
Review: Konono Nº1 and Batida Redefine Trance on ‘Konono Nº1 Meets Batida’
Review: Bombino’s Red-Hot Guitar Sings the Desert Blues on ‘Azel’
Review: Wussy’s Ragged Ohio Racket Hits Biblical Proportions on ‘Forever Sounds’
Review: Charlie Puth’s Dire ‘Nine Track Mind’ Proves That We Can’t Handle the Puth
SPIN World Report: Radiohead Guitarist Aids an East-West Summit, Karina Buhr Punks Brazil
Review: Erykah Badu Continues R&B’s Longtime Game of Telephone on ‘But You Caint Use My Phone’
SPIN World Report: Mbongwana Star’s Congolese Street Music, Fabiano Do Nascimento’s Afro-Brazilian Folk Shredding
Review: Bassekou Kouyate and Ngoni Ba Shred Without Guitars on ‘Ba Power’
Review: Built to Spill Enter the Rock-Will-Never-Die Stage on ‘Untethered Moon’
Review: J. Cole Goes DIY on the Reflective ‘2014 Forest Hills Drive’
Review: Foo Fighters’ ‘Sonic Highways’ Is the Missing Link Between Dio And Big Star
On Handjobs and Hopelessness: The Lovesick Zeal of Jenny Lewis’ ‘The Voyager’
