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        <title>SPINQ&#038;A: Nobody Puts Wire in a Corner &#8211; SPIN</title>
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                <title>Q&#038;A: Nobody Puts Wire in a Corner</title>
                <link>https://www.spin.com/2015/04/wire-interview-graham-lewis-colin-newman/</link>
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                <pubDate>Fri, 17 Apr 2015 15:53:29 +0000</pubDate>
                <dc:creator><![CDATA[Rachel Brodsky]]></dc:creator>
                		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Wire]]></category>


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                <description><![CDATA[Shape-shifting art-punks <a href="https://www.spin.com/2008/07/wire/" target="_blank">Wire</a> have no desire to be just any one thing. Best known for their wildly different first three albums, released between 1977 and '79 (<a href="https://play.spotify.com/track/6ECbR35AjYr0lbtBFTjYx2?play=true&#38;utm_source=open.spotify.com&#38;utm_medium=open" target="_blank"><em>Pink Flag</em></a>, <a href="https://play.spotify.com/track/5AdLu2shYmDMqt2pHaOEle?play=true&#38;utm_source=open.spotify.com&#38;utm_medium=open" target="_blank"><em>Chairs Missing</em></a>, and <a href="https://play.spotify.com/album/54csKoPnQbDk0dh2Un2gl4?play=true&#38;utm_source=open.spotify.com&#38;utm_medium=open" target="_blank"><em>154</em></a>), they've been releasing genre-spanning material and influencing other innovators — Sonic Youth, Guided By Voices, R.E.M., Minor Threat, and Manic Street Preachers, to name a&#8230; ]]></description>
                

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