Grandmaster Flash, 'The Bridge' (Adrenaline/Strut)
Flash's first studio album in more than two decades isn't for wallflowers. "Tribute to the Breakdancer" and "Here Comes My DJ" (with the effusive DJ Kool of "Let Me Clear My Throat" fame) showcase the legendary turntablist's ear for party starters.
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EPMD, 'We Mean Business' (Ep Records)
EPMD are back together again, more than a decade after the Long Island duo's initial 1997 reunion. Despite some truly awful lyrics -- "Don't make me get mad and Barack O-bomb-ya" is particularly wince-worthy -- both Erick Sermon and Parrish Smith sound reenergized, boosted by spirited cameos from Redman, Method Man, and Keith Murray.
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Jake One, 'White Van Music' (Rhymesayers)
The debut album from G-Unit producer Jacob "Jake One" Dutton plays like a crowd- pleasing beat reel for future employers.
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Everlast, 'Love, War and the Ghost of Whitey Ford' (Martyr Inc./Hickory/TRP)
Erik "Everlast" Schrody's transformation into a guitar-strumming folkie on 1998's Whitey Ford Sings the Blues was a savvy career move, both artistically and commercially. After all, how many early-'90s white rappers are still working?
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GZA/Genius, 'Pro Tools' (Babygrande)
The GZA's G-Unit dis "Paper Plate" on his fifth solo album confirms that he's behind the times: Beefing with 50 Cent to promote yourself is so 2005. Then again, the legendary Wu-Tang Clan MC also name-drops Ivan Koloff (Who? Professional wrestler from the 1970s) and Vinnie Johnson (Who?
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The Spin Interview: Q-Tip
Kamaal "Q-Tip" Fareed is the leader of Queens, New York–based group A Tribe Called Quest, whose innovative first three albums are perhaps hip-hop's most universally beloved -- by both fans and critics. Tensions plagued 1996's disappointing fourth, Beats, Rhymes and Life, and the trio split in 1998.




