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After listening to Weezer's seventh release, you may want to describe frontman Rivers Cuomo with one word: demented.

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At this point, a new Omar Rodríguez-López album sounds about as thrilling as a Law & Order rerun: Excluding Mars Volta recordings, Xenophanes is his 11th release since 2007. But there's reason to take notice this time, as the album relegates the guitarist's often-tedious sonic experiments to mere interludes.

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Onstage, King Khan has been known to holster the microphone between his ass cheeks. But even knowing that still doesn't prepare you for the anatomical, scatological, and carnal onslaught of "Tastebuds," the third track off his second album with Mark "BBQ" Sultan.

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Too much sex, too little intimacy: It's a cocktail that, like most cocktails, leads to oversharing. Luckily, WHY? frontman Yoni Wolf offers an explanation for his fourth album's plentiful corpse visions and masturbation scenes: "You gotta yell something out you'd never tell nobody." Once seen as hip-hop provocateurs, WHY?

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Most alt-country fetishizes cowboy days, but Langhorne Slim’s third full-length does so while swiping tricks from this decade’s best rock bands. The joyful chorus of “Say Yes” could have been shouted by Arcade Fire, while “I Love You, But Goodbye” walks the same line between loveliness and dissonance as Wilco.

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"Is that the Devil in your eye?" It seems like a pressing question, but as Hope Sandoval asks it on "Blue Bird," she doesn't seem much interested in the answer. On her second solo effort, the Mazzy Star chanteuse waxes sleepy and resigned over 11 blue-tinted torch songs.