Puja Patel


New York, NY

  • Marilyn Manson, Eastbound and Down

    Marilyn Manson's Debut Turns 20: A Modern Portrait of His American Family

    This month Marilyn Manson's powerful debut Portrait of an American Family will celebrate it's 20th anniversary. In honor of Manson's place as an alternative, industrial-rock icon, we've compiled a list of the singer's more resilient moments in pop culture. (For all of his goth-loving gloom, the man sure does have a sense of humor about himself.) From his cameo as a porn star in Lost Highway to the time he got into a lawsuit battle with SPIN's own Editor-in-Chief, we've covered it all. Read SPIN's Marilyn Manson cover stories — 1998's autobiographical excerpt Running With the Devil and 2007's Marilyn Manson: Return of the Living Dead while you're at it.1997: Plays the role of a porn star in David Lynch's Lost Highway Featured in a cameo alongside his bandmate Jeordie White aka Twiggy Ramirez.

  • Magic!

    Q&A: Magic! Talks 'Rude,' Lorde, and Hosting Snow's Pizza Party at Chuck E. Cheese's

    Yesterday Magic!'s relaxed, summertime groove "Rude" took the throne from Iggy Azaelia's "Fancy" as ruler of the Billboard 100 singles chart. It's the fist reggae-identified track that has topped the charts since Sean Paul's 2003 dancehall banger "Get Busy," and the first non-Jamaican artist to deliver such a track since fellow Canadian Snow's "Informer" in 1993. And with it's inescapable radio popularity and comically cutesy hook—wherein a boy scolds his girlfriend's father for his antiquated stance on interracial marriage—"Rude" has become one of the undeniable songs of the summer.Their success is brand new, but Magic! didn't come from thin air.

  • Mr. and Mrs. Carter, Jay Z, Beyonce

    Real Talk Overheard at Beyoncé and Jay Z's 'On the Run' Concert

    Fake it while you make it: At least that's what the Carters seemed to be doing this past weekend. During the sold-out, New York City stop of the couple's co-headlining 'On the Run' tour, Mr. and Mrs. Carter were perfectly on point, with every dance move in step and fitted-hat tilted just so. It was the kind of sterile perfection that we're used to from the pair's public personas. In reality Beyoncé and Jay Z's personal lives —and any insight into their relationship at all— is severely protected by a team of publicists, managers, and non-disclosure agreements. (What was that Solange spat about? The world will never know.) In turn, the Carters gave fans at Metlife Stadium what they so desperately want from the reigning king and queen of urban pop: a backstory.

  • beck, loser

    Beck Talks 'Loser' Through SPIN Cover Stories

    In honor of Beck's 44th birthday, we've dug through our archives and revisited all four of SPIN's cover stories on the funk-hop, indie-rock innovator. Read about his first breakthrough hit —yep, that would be "Loser"— and follow the singer's evolution from a "slacker" to a pop icon via the singer's own words below. Punk-Metal And Watermelon [Steve Hanft, friend and founder of Loser, a punk-metal band Beck played with on Beck's early days.] "Beck was just living in this shed behind someone's house, recording his weird surrealist folk songs on a four-track. He lived on watermelon, wore found clothes, and, though he loved Prince and George Jones, told people, 'I only listen to Slayer.'" Hanft and Beck had plans to make a heavy-metal aerobics video when one of Beck's home-taping sessions ("Loser") got him nominated national spokesman for the young and direction-less.

  • Child of Lov

    Watch Child of Lov and Damon Albarn's Eerie 'One Day' Video

    When Dutch producer Child of Lov (Cole Williams) released his self-titled debut on Domino Six in May of 2013, it was impossible to know that his untimely passing would occur just seven months later. Child of Lov — that L-O-V stands for "light oxygen voltage" — was a thoughtful tapestry of bluesy songwriting embellished by electronic flourishes, echoing guitar strums, singing organs, crackling reverb, plodding synths, and drum loops. Recorded at Damon Albarn's 13 studio, the album featured collaborations from DOOM, Thundercat, and Albarn himself, proving that disparate musical entities could find a home in Lov's trippy, neo-soul-inflected compositions.

  • Watch Courtney Love and Michael Mouris' Animated 'Valley of the Dolls' Remake

    Watch Courtney Love and Michael Mouris' Animated 'Valley of the Dolls' Remake

    "I'm never wrong, not about you," screams Courtney Love on "You Know My Name," the single off of the Hole singer's recent You Know My Name/Wedding Day 7" release. While the song is undoubtedly an anthem meant for a scorned ex-lover, her latest project — a tongue-in-cheek animated video entitled Valley of the Dolls — has the icon shifting her knowing (and hilariously sarcastic) digs onto her very famous friends.The animated Valley of the Dolls video is a short adaptation of the classic storyline behind the cult classic and bestselling novel by the same name, wherein three women hop between New York and Hollywood in search of their careers and fame (as an actress, Broadway star, and model) before ultimately succumbing to the evils of the industry and spiraling into emotional chaos.

  • Dylan Baldi in Los Angeles, March 2014

    Clear Skies for Cloud Nothings

    Outside a craftsman home in the Los Angeles neighborhood of Eagle Rock is when you begin to hear the screaming. It's a typically sunny spring day in Southern California, and the front door of the house is wide open, as I'll find it generally remains, and Cloud Nothings' frontman Dylan Baldi is in the entryway, sheepishly grinning in welcome. "Nathan's recording over there in the closet," he says, referring to the homeowner and Baldi's collaborator du jour, Wavves singer Nathan Williams. A basketball game plays on mute on a screen in the living-room background as the screaming begins again. "Sorry about all the, uh, yelling," Baldi continues, giving an exaggerated sigh of embarrassment before breaking into a laugh. He takes a swig from an oversized beer mug and motions for me to take a seat on the couch. "Don't worry, the noise isn't driving me to drink," he says, putting down the mug.

  • Shopping With Travi$ Scott / Photo by Krista Schlueter

    Shopping With Travi$ Scott: Houston Grills and Kanye Thrills

  • Mannie Fresh

    Q&A: Mannie Fresh Talks Bounce, Brass Bands, and Twerking for Pop

    When Mannie Fresh released his cheery 1989 single "Buck Jump Time" alongside his friend and rapper Gregory D, he didn't know it would later become known as the start of an entirely new musical movement in New Orleans. The song, a fusion of Miami bass' upbeat drums and the brassy horns that defined local street-band culture, is now commonly credited as one of the first "bounce" tracks. (It predated the genre's pick-up and popular use of the "Triggerman" beat taken from The Showboys' "Drag Rap.") With lyrics that shouted out New Orleans wards and projects and a call-and-response hook, the playful track became an iconic anthem to the then-teenager's hometown.Fresh's signature sound came from a youth influenced heavily by the sound of local jazz and school bands, an aesthetic that stayed with him even as his popularity grew.

  • Hudson Mohawke at Webster Hall, New York City, May 28, 2014 / Photo by Chad Kamenshine

    Hudson Mohawke Gets Surprise Visit From Antony Hegarty, Travi$ Scott in New York

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