Sage Francis, 'Human the Death Dance' (Anti-/ Epitaph)

Hyper MC who's much too inspired by "Me, Myself and I".

"This is hip-hop for the people," says Sage Francis early on his fourth album. "Stop calling it emo." Stop bellyaching and maybe we will.

Underworld, 'Oblivion With Bells' (Side One)

Brit rave patriarchs take a breather in the chill-out room.

If 2002's A Hundred Days Off proved that Underworld's Karl Hyde and Rick Smith could scale sonic skyscrapers without former bandmate and DJ Darren Emerson, its follow-up is where they relax -- literally. Seven of Oblivion with Bells' 11 cuts feature beats that lope below cooing guitar and/or keyboards, or are submerged into the muted synth-pulse.

DJ Blaqstarr, 'Supastarr EP' (Mad Decent)

Dancing the pain away with the new B-more generation.

This collection of seven tracks by Baltimore upstart Blaqstarr (on Philadelphia DJ Diplo's new label) serves as a good example of the raw, exuberant club music being made largely outside of the media spotlight.

Savath & Savalas, 'Golden Pollen' (Anti-)

Glitchy beatmaker creates grand backdrop for his voice.

Formerly a collaborative project with vocalist Eva Puyuelo, Savath & Savalas is now another solo pseudonym for Guillermo Scott Herren. Golden Pollen has some of the laptop hip-hop fritz associated with his usual alias, Prefuse 73, but here it's tucked away inside ornate arrangements: low-key woodwinds, delicate guitar and piano, and Herren's plain-sung Spanish vocals.

A-Trak, 'Dirty South Dance' (Obey)

Throwing some cleverly remixed D's on that bitch!

Sure, "Vocal A meets Music B" DJ blends are tossed-off gimmicks most of the time, but in those rare moments when the gimmick clicks, the party immediately kicks into another gear.

Digitalism, 'Idealism' (Astralwerks)

Late '90s rocktronica nostalgia is here -- woo-hoo!

Jens Moelle and Ismail Tuefekci may be German, but the tracks they make as Digitalism slot right in with the recent wave of Parisian house music for headbangers.

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