Marc Hogan

writer

Biography

  • Bob Dylan / Photo by Getty Images

    Bob Dylan Mum on Whether 'Tempest' Album Will Be His Last

    Bob Dylan isn't ruling out the possibility that his 35th album, Tempest, will be he his last. According to Rolling Stone, the 71-year-old rock legend "was dismissive" of the idea that his latest work would, like Shakespeare's similarly titled The Tempest, be his final one. "Shakespeare's last play was called The Tempest," Dylan is quoted as saying. "It wasn't called just plain Tempest. The name of my record is just plain Tempest. It's two different titles." Which is exactly the type of slippery answer you'd expect from a lawyer, politician, or Bob Dylan — but you'll notice how nimbly he avoids saying one way or another whether he'll ever make another record. Dylan did cough up a few details about his new album, out September 11 via Columbia.

  • Tashaki Miyaki

    Hear Tashaki Miyaki's Paisley-Spangled Jangler 'Tonight'

    One of this writer's favorite Bob Dylan covers is "I'll Keep It With Mine" by Rainy Day, a sort of mini-supergroup made up of bands from L.A.'s early-'80s Paisley Underground scene. No less gifted interpreters than Judy Collins, Nico, and Fairport Convention had previously performed the wistfully jangling song, which centers around a beautifully evocative idea of time as a physical thing you can store somewhere. But Rainy Day's version has an affectingly warm, clear-eyed vocal by the Bangles' Susanna Hoffs, plus stabbing strings, rickety guitar strums (Mazzy Star's David Roback was also a member), and tuneful bass. A lone tambourine sits at the bottom of a pocket Wall of Sound. Emerging L.A.

  • Miguel / Photo by Dirty Souf Yankee (Christina Mallas)

    Watch Miguel Perform 'Kaleidoscope Dream' Songs Live

    Miguel released his three-song Kaleidoscope Dream: The Water Preview EP yesterday (which you can stream in its entirety here and buy now from any digital retailer), offering up the first installment of his upcoming three-part album Kaleidscope Dream, out October 2. Last night, to mark the occasion, he played a secret show at Joe's Pub in New York City, performing the new EP's "Adorn," "Use Me," and "Don't Look Back" along with songs from the Art Dealer Chic EPs singer's 2010 album All I Want Is You, including the silky title track. Watch all four songs from the sweaty, intimate, smooth and much-Tweeted special event here: "Adorn" "Use Me" "Don't Look Back" "All I Want is You"

  • Nicki Minaj

    Watch Nicki Minaj's Carnival-Themed 'Pound the Alarm' Video

    A few years ago, a beach-disco theme was becoming so common in vaguely left-field music that it turned into a cliché, as acts popped up with names like Boat Club and Windsurf. In 2012, admittedly non-disco but also quite explicitly non-landlocked groups like Best Coast and Beach House are continuing to put out some of the year's better albums. And Nicki Minaj, one of our biggest pop stars, has all but declared herself Queen of the Beach, following up the tropical rave of her Hawaii-set "Starships" video with the tropical rave of her Trinidad-set "Pound the Alarm" video. The carnival-themed clip for the rapper-singer's latest Pink Friday: Roman Reloaded radio smash is heavy on feathers, pyrotechnics, and island scenery.

  • Romy Madley-Croft / Photo by Getty Images

    See the xx Play Dancey New Song 'Swept Away' Live

    Good news: Jamie xx wasn't just pulling our legs when he said the xx's next album would take on more of a clubby feel. Granted, that was hard to tell from the first songs the stripped-down British electro-pop outfit previewed from upcoming album Coexist, particularly the super, supine "Angels", which they played the other night on Conan. As SoulCulture points out, fan footage has emerged of the xx playing another new song during a July 23 gig at the Fonda Theatre in Los Angeles, and this one — almost certainly the album's second-to-last track, "Swept Away" — has more of that house feel the xx producer was talking about. With a four-on-the-floor gallop beneath winding guitar lines and sultry male-female vocals, the song resembles a cousin to Drake's Jamie xx-incorporating Take Care title track.

  • Watch TNGHT's Paint-Spattered, Rave-Hop 'Bugg'n' Video

    Watch TNGHT's Paint-Spattered, Rave-Hop 'Bugg'n' Video

    The yellow- and blue-splattered red background from the cover artwork for TNGHT, the self-titled debut EP by genre-straddling electronic producers Hudson Mohawke and Lunice, features prominently in the EP's first proper video (via Fader). It hangs on a wall in a room where a young child plays. It's projected behind TNGHT as they perform onstage at a wild party. Its neon colors smear on a metallic surface as the duo enters the venue. Created by Peter Marsden, who directed the video for "Bugg'n" with the Lucky Me label's creative director

  • Dum Dum Girls

    Hear Dum Dum Girls' Beach-Blanket Ballad 'Lord Knows'

    Romantic uncertainty has been a recurring worry across Dum Dum Girls' two Sub Pop albums, last year's Only in Dreams and 2010's I Will Be. "Lord Knows," the advance stream and penultimate track from the bicoastal group's upcoming five-song End of Daze EP, comes across as a sublime effort to put those concerns to rest. Swaying beach-blanket pop with distant "Crimson and Clover" guitar strums and rumbling Phil Spector percussion, it's a fitting successor to Only in Dreams slow jam "Coming Down", only less Mazzy Star-ry. If that was the druggy comedown, this is the clear-eyed moment of reckoning: "Oh, boy, I can't hurt you anymore," frontwoman Dee Dee sings, in soft harmony, on the sticky chorus.

  • Skrillex / Photo by Getty Images

    'Skrillex Machine' Turns Web-Surfing Into Endless Bass Drop

    We have seen the future of the Internet, and it is a noisy caricature of North American dubstep. Alt-friendly Canadian TV station Aux.tv has launched a new website called the Skrillex Machine, as Rolling Stone points out. Something like a perpetual motion machine, except instead of motion it produces bass, this Skrill-themed site turns whatever web page you visit — ours, say — into a blaring interzone where the wub is constant and the asymmetrically haired one is standing there glaring at you from behind impenetrable shades. Do you think he's still angry about that time we showcased the Skrillex remix of Carly Rae Jepsen's "Call Me Maybe"? Try out the Skrillex Machine here and impress your friends. SPIN's 30 Greatest Dubstep Songs of All Time Check out our Summer of Wub story, available in the July/August print issue now.

  • Scarlett Johansson / Photo by Getty Images

    Hear Scarlett Johansson's Latest Brigitte Bardot Impression

    The idea of Scarlett Johansson as Brigitte Bardot is not exactly new. When Pete Yorn was hyping up his meh 2009 collaborative album with the Avengers actress, which the two recorded more than five years ago, he said the inspiration was French lounge-pop maestro Serge Gainsbourg's 1968 Bonnie and Clyde LP starring the actress and model Bardot. A snippet of Johansson's rendition of the album's classic-duet title track, joined by Serge's son Lulu Gainsbourg, made the online rounds nearly a year ago, but so far high-quality audio of the track has just been available as a European import. Johansson's "Bonnie and Clyde" team-up with the younger Gainsbourg finally came out on iTunes today, ahead of Lulu Gainsbourg's full Serge tribute album From Gainsbourg to Lulu, which lands on U.S. shores October 30 via MBM Records.

  • David Byrne and. St. Vincent

    David Byrne and St. Vincent Preview Funky 'Weekend in the Dust'

    Oh, when David Byrne and St. Vincent go marching in. The funky brass on "Who," the first listen from the former Talking Heads frontman's previously reported team-up with the shredding-capable indie-pop singer and songwriter also known as Annie Clark, turns out not to be an anomaly. Pre-orders of their September 11 collaborative album Love This Giant come with an instant, high-quality MP3 download of "Weekend in the Dust," again features a muscular horn section. Clark takes the lead vocal this time, her snake-like melody neatly complementing the jagged guitar riff, all over what sounds like a jazzy drum loop.

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