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Remember in The Wall when no matter how high poor Pink got, he couldn't break free from the bricks, and the worms ate into his brain?

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Just before his second solo album came out in 2004 Talib Kweli got onstage at a tiny New York club and previewed a few jams. The Brooklyn rapper slayed. In fact, it seemed crazy that he was still a small enough star to perform there.

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Calling something "emo" is usually just a way of talking about guys who ain't too proud to beg or, y'know, cry. But there's a lot of ambivalence out there fronting as sensitivity. Scratch that velveteen surface and you might find a megalomaniac. That's not the case with Atmosphere's Slug -- except when it is.

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Liz Phair may never make another smart-sexy classic like Exile in Guyville. But two years ago, when the former indie vixen took a shot at teen pop, lots of old-time devotees, especially those of the graying male variety, were apoplectic about her new direction.

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She's got the magic shtick. There may have been no real electroclash "movement," but there certainly was a Peaches--a thirtysomething, self-producing, omni-horny, androgynous Canadian breathing heavy over the skittle-diddling beats of her trusty fuzzbox.

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Let's go, USA!