A confession: I don't particularly enjoy the year-end list season, where every publication, TV station, podcast, and blog submits their best- and worst-ofs for the year that was. I find it sort of arbitrary and not particularly useful -- after all, the only way to decide if anything will be long-lasting is to look at it a few years down the line.

Thanksgiving brought me home to Connecticut, where I attended a football game, pitting the University of Connecticut against the University of Cincinnati. The Huskies lost by a field goal in the closing seconds of the game in a heartbreaker, a loss I pin entirely on UConn's terrible kicker, who shanked an extra point that probably was the difference in the game.

I've been gone for two weeks, but that's only because I've been planning a very special two-part Halloween edition of A-D. I happen to be a big metal fan, and I got the opportunity to speak to Dani Filth, frontman of longtime black metal stalwarts Cradle of Filth, who just released their new album, Thornography.

In last week's column, I made a passing comment about how much I hate U2, which garnered a couple of message board posts and several e-mails. I had intended on spending this entry talking about exactly why I hate U2, but then I considered my argument. As it happens, it turns out I don't hate U2 outright; it's more complicated than that.

The fourth single from Stone Temple Pilots' debut was an acoustic dirge called "Creep." That statement is an anomaly for two reasons. First, when was the last time any album, especially a mainstream rock record, broke four singles? U2 pulled it off with All That You Can't Leave Behind, but I leave U2 out of this argument because A) Bono has managed to turn

The MTV Video Music Awards are almost always the most overhyped event of the year, but their knack for courting controversy (or even courting entertainment) has slipped in the new millennium.