Dead Meadow, 'Old Growth' (Matador)
Psychedelic blues rockers Dead Meadow relocated from Washington, D.C., to Los Angeles last year, and their sixth album sounds reenergized by the scenery change. The trio still combine '60s garage jangle with thick jams that channel Iron Butterfly heaviness, but their new songs are sunnier and jumpier than 2005's dirgeful Feathers.
SHARE THIS:
Who's Next '08: Margot & the Nuclear So and So's
In a nutshell: Eight dreamy, world-weary Indianapolis musicians brought together by a shared love of woodsy Americana and chamber pop. Their cello-laden debut, 2006's The Dust of Retreat, caught the attention of Epic Records; the band signed on without reservation.
Who's Next '08: Black Tide
"It's the fucking weather," says 15-year-old Black Tide lead singer/guitarist Gabe Garcia, explaining why Florida produces so many extreme-metal bands, such as Deicide and Obituary. "The heat makes everybody go crazy, and the humidity makes you angry."
Lupe Fiasco, 'Lupe Fiasco's The Cool' (Atlantic/1st & 15th)
SHARE THIS:
Puscifer, 'V Is for Vagina' (Puscifer Entertainment)
Through four albums of dark, existential art metal, Tool have cast a spooky shadow, but the underlying truth about the band (and frontman Maynard James Keenan) is that they're pretty cheeky. Ænima featured a big single about fisting, a nod to acerbic comic Bill Hicks, and "Die Eier Von Satan," whose lyrics sound like a Nazi salvo but are really a recipe for cookies.
SHARE THIS:
Jukebox Jury
In addition to their awesome 'fros, our esteemed jurors had something else in common this year: Both took cautious steps away from the outfits that made them famous.


