Taken by Trees, 'East of Eden' (Rough Trade)

Scandinavian pop nymph discovers mystical muse.

Ex-Concretes frontwoman Victoria Bergsman sings as if she never leaves her windowsill, let alone her native land. But this shy Swede (whose voice was the female counterpoint on Peter Bjorn and John's "Young Folks") recorded her album with local Sufi musicians in Pakistan.

The Bats, 'The Guilty Office' (Hidden Agenda/Parasol)

Kiwi rock survivors keep a jingle-janglin’ along.

Old Faithful probably covets the Bats’ consistency. Over six albums, plus a ten-year hiatus, the New Zealand foursome, led by singer-guitarist Robert Scott, haven’t let anything alter their ambling jangle pop.

Sian Alice Group, 'Troubled, Shaken, Etc.' (Social Registry)

Raging guitar wranglers led by an elusive muse.

With other bands Tweeting and gut-pouring, there’s something startling about this London trio’s impenetrability. They create mood songs as discrete units, each as bulletproof -- or smudgeproof -- as the band itself. Credit Sian Ahern, a singer with Nico’s presence and complexion, minus the contralto.

The Gossip, 'Music for Men' (Columbia)

Glad-to-be-gay punks majorly bummed on amour.

What's that joke about gay couples wanting to get married?

The Field, 'Yesterday and Today' (Anti-/Kompakt)

Trying to dance as you're gasping for meaning.

Swedish electronic dance producer Axel Willner consistently finds the sweet spot between breathlessness and breathing too hard on his follow-up to 2007's acclaimed From Here We Go Sublime.

Passion Pit, 'Manners' (Frenchkiss)

Lovelorn extrovert stages glee-club extravaganza.

Poptimist Michael Angelakos tried to hold onto his girlfriend with Passion Pit's first EP. That didn't work (blame the self-obsessed lyrics), but on his band's debut full-length, their squeaky indie-pop theatrics are more convincing. Angelakos backs his falsetto with a gang of schoolkids, gestures toward the grandiose ("Folds in Your Hands"), even triples the keyboards of his live band.

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