Miracle Fortress, 'Five Roses' (Secret City)

Montreal's latest revelation is a pure pop pick-me-up.

The antidepressant industry would be in serious trouble if troubled souls could just absorb the melodic elation of this stunning debut. Under the leadership of multi-instrumentalist Graham Van Pelt, Miracle Fortress' jubilant indie pop effortlessly integrates cuddly mammalian coos, cottony guitar fuzz, and gentle falsetto choruses.

Datarock, 'Datarock Datarock' (Nettwerk)

Computer nerds who like to party (wink, wink, nudge).

With this Stateside debut, the Bergen, Norway duo of Fredrik Saroea and Ketil Mosnes bring a singularly warped exuberance to their double-entendre disco pop. On tracks about beastly divas and dancing with Daddy, they combine campy humor, hair-trigger club hooks, and electro-charged rock riffs.

Dungen, 'Tio Bitar' (Kemado)

if you want to soar angelic, just take a pinch of psychedelic.

Led by wunderkind multi-instrumentalist Gustav Ejstes, Dungen keep a fierce distance from the fleeting indie-pop trends of their fellow Scandinavians. Here, with Swedish lyrics, lysergic swatches, and breezy flute passages, they display the same studied appreciation for Hendrix jams and Nordic folk that marked their 2004 U.S. breakthrough, Ta Det Lugnt.

The Horrors, 'Strange House' (Stolen Transmission)

Spooky U.K. sensations need to sharpen their shtick.

If the Horrors had crafted an album's worth of creepy goth-garage tracks that matched the vampish ferocity of single "Gloves" and riotous crowd-pleaser "Sheena Is a Parasite," these young Brits really could've blown the cobwebs off the Cramps' handbook.

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