The Clutters, 'Don't Believe a Word' (Chicken Ranch)

Unruly Music City rockers struggle to catch onstage fire.

The latest upstarts from Nashville's burgeoning rock community, the Clutters sport a punky live aesthetic, but their second album doesn't quite capture that brash energy.

Mandy Moore, 'Wild Hope' (The Firm/ EMI)

Teen-pop princess baby steps toward artistic adulthood.

On 2003's Coverage, Mandy Moore showed she had good taste -- covering XTC, Joni Mitchell, Joe Jackson, etc. -- but artistically, she was still stuck in a candy-pop bubble. Now, on her fifth album, she finally tries to tell her own story, with co-writing help from singer/songwriters Rachael Yamagata and Lori McKenna, as well as Boston folk-pop duo the Weepies.

Sondre Lerche, 'Phantom Punch' (Astralwerks)

Norwegian pop waif decides to crank up his guitar.

On the heels of last year's The Duper Sessions -- his total immersion in neo-Tin Pan Alley craftiness -- Lerche obviously wanted to loosen up and rock a little.

Page France, 'Hello, Dear Wind' (Suicide Squeeze)

Bright-eyed songs of faith for those unafraid to commit.

The second album from this Maryland indie-rock foursome comfortably seeps into your consciousness -- it's rich in melody and rife with dreamy natural/Biblical imagery ("Jesus will dance while we drink his wine"; "I'll shed a feather for the Lord").

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