Exclusive: Raveonettes Preview New Album, Unplugged
When one listens closely to the shoegaze-laced noise-pop of Denmark's Raveonettes, typically bands like the Jesus and Mary Chain or the Velvet Underground come to mind -- with a tinge of classic '50s rock'n'roll tossed in for good measure. But according to the duo's guitarist Sune Rose Wagner, their influences extend a bit further than meets the ear.
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The Rumble Strips, 'Welcome to the Walk Alone' (Island)
This English foursome adopt a moodier blend of soul, rock, and chamber pop on their second record, largely due to outsourcing: Producer Mark Ronson’s knack for Spector-ish grandiosity dominates album highlights like “London” (a dead ringer for his ’60s throwbacks with Amy Winehouse), while sweeping string arrangements from Arcade Fire’s Owen Pallett complement the band’s spry tunes
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VIDEO: Heath Ledger's Final Film Features Tom Waits
The final installment in Heath Ledger's engrossing career, The Imaginarium of Doctor Parnassus, won't make it to U.S. theatres until Christmas, but you can score a peek at the trailer for director Terry Gilliam's hotly-anticipated film below.
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Throw Me the Statue, 'Creaturesque' (Secretly Canadian)
This Seattle-based band’s second album represents an accomplished progression for singer-songwriter Scott Reitherman, with highlights “Tag” and “The Outer Folds” showcasing robust, filled-out arrangements that aspire to the dramatic grandeur of the National.
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Cale Parks, 'To Swift Mars' (Polyvinyl)
The third solo release by multi-instrumentalist Cale Parks (who’s drummed for indie notables Aloha and White Williams) is a breezy mix of pop, electronica, and ethereal minimalism that suggests a handful of touchstones -- opener “Eyes Won’t Shut” channels Junior Boys’ seductive electro-pop while the organ-heavy “Knight Conversation” evokes Beach House’s languid balladry.




