Of Montreal, 'Hissing Fauna, Are You the Destroyer?' (Polyvinyl)

A giddy free-for-all from multitasking pop auteur.

Athens, Georgia's Of Montreal have practically become a one-man psych band, and Kevin Barnes' pleasantly nasal voice -- many, many multitracked versions of it -- harmonizes on nearly every track of his eighth album.

...And You Will Know Us by the Trail of Dead, 'So Divided' (Interscope)

With guitars intact, rockers find bliss in the details.

Like teenagers discovering the munchies, My Chemical Romance and the Killers have realized the power of the classic-rock anthem, with its grandiose swagger and bulging chord progressions.

Built to Spill, 'You in Reverse' (Warner Bros.)

Idaho ax wielders keep on truckin'.

Built to Spill have always toked their own brand of jamrock. Since the early ’90s, when singer/guitarist Doug Martsch began writing singsongy melodies that searched his boyish voice’s upper registers while a tangle of guitars spun sprawling solos beneath him, the Boise, Idaho band has filled the space where flannel meets Birkenstocks.

Madonna, 'Confessions on a Dance Floor' (Warner Bros.)

Madge goes disco -- again. Gay clubbers rejoice. Others, not so much.

Madonna and George W. Bush may have less in common than Kabbalah strings and W.W.J.D. wristbands, but the pop politician seems to have learned a lesson from the president: When things are bleak on the home front, make waves abroad and appeal to your core constituency.

Sons and Daughters, 'The Repulsion Box' (Domino)

Scottish murder ballads in the key of "Aieeeee!"

Sons and Daughters didn't just title their first single "Johnny Cash" -- they somehow channeled Cash's dusty-trailed country folk, despite needing a time machine to examine the world he chronicled.

Q&A - Michael Stipe

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