Hella, 'There's No 666 in Outer Space' (Ipecac)

Incomprehensible bombast from beefed-up noise duo.

Over the past five years, drummer Zach Hill and guitarist Spencer Seim have maintained a position as the least compelling twosome on the techy, noise-rock totem poll (see Lightning Bolt, Orthrelm, the USA Is a Monster, etc.). Perhaps sensing stagnation, the Californians drafted three extra players -- a second guitarist, a bassist, and a full-time vocalist.

White Magic, 'Dat Rosa Mel Apibus' (Drag City)

Hypnotic chanteuse takes you on an otherworldly trip.

The tumbling, chilly psychedelia of this full-length follow-up to 2004's Through the Sun Door EP finds dusky-voiced pianist Mira Billotte and her drifting troupe (including members of Gang Gang Dance, Dirty Three, and the Tower Recordings) on a languorous journey from Brooklyn to Xanadu.

Animal Collective, 'Hollinndagain' (Paw Tracks)

Brooklyn avant folk rockers' first, weirdest experiments.

Animal Collective debuted six years ago with an assortment of drones, strums, and autistic whippoorwill harmonies, but their drifting, woodsy efforts have gone on to develop a poppier bounce. Released in 2002 in a hand-painted, vinyl-only edition of 300, Hollinndagain looks back on seven early live tracks.

Wooden Wand and the Sky High Band, 'Second Attention' (Kill Rock Stars)

Enigmatic singer/guitarist steps out of folkie shadows.

Since the early 2000s, James Toth, a.k.a. Wooden Wand, has recorded noisy, jazz-spiked floods of freak folk with his shadowy, Brooklyn-based band the Vanishing Voice. On a 2005 solo debut as Wooden Wand, his idiosyncratic songs approximated Roky Erickson breezily transmitting over a rusty shortwave radio.

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