Major Stars, 'Mirror/Messenger' (Drag City)

Furious freak rockers plug in, turn it up, and don't stop until you drop.

Having lost one member and added three, this Massachusetts-based band features six players and eight songs of chunky, ear-warping rock'n'roll on their sixth album. Throughout the solo-fueled "East to West," frontwoman Sandra Barrett hollers and wails while her bandmates' caustic guitars (all three!) drill millions of tiny holes in your speakers.

Charalambides, 'Likeness' (Kranky)

Mesmerizing guitar drones that may dissolve your brain.

This Texas duo have churned out spectral, psych-infused folk since 1991, when Tom and Christina Carter first trolled through the Anthology of American Folk Music and began perverting and reinventing classic American memes. Likeness features lyrics plucked from the public domain, layered over heavily manipulated guitars.

Sigur Ros, 'Hvarf/Heim' (XL)

Like a symphony of melting glaciers - sad and majestic.

Sigur Rós are hardly renowned for marketing savvy -- the title of their third album was a pair of parentheses, thus rendering it only slightly less pronounceable than their 1999 breakthrough, Ágætis Byrjun. But this double album of live and unreleased songs feels cosmically overdue.

Grizzly Bear, 'Friend EP' (Warp)

Brooklyn indie band eats itself, then asks friends for help.

Grizzly Bear have a penchant for cannibalizing their own work, following 2004's debut, Horn of Plenty, with a remix record that enlisted like-minded peers to reimagine the quartet's signature space folk. Friend is a collection of collaborations, covers, and remixes, featuring Band of Horses, CSS, Deerhunter's Bradford Cox, and others.

Jens Lekman, 'Night Falls Over Kortedala' (Secretly Canadian)

Spectacularly bombastic pop from Scandinavian crooner.

Swedish-born songwriter Jens Lekman has a penchant for grand pronouncements, and his pop opuses are rife with strings, choirs, and samples (everything from Renaldo & the Loaf's "Hambu Hodo" to his own childhood squeaks).

Interview: Death Cab for Cutie

Considering the current state of the music industry--an industry that has all but abandoned the idea of nourishing an artist in favor of instant gratification and prefabricated radio-friendly hooks--the big, rolling snowball that is Seattle’s Death Cab for Cutie is all the more impressive. Death Cab are remarkably well-versed in the finer points of sustained evolution, having gradually developed from a one-man act--the solo project of vocalist/guitarist Ben Gibbard--into a fully operative, democratic four-piece. Along the way, DCfC endured a perpetually revolving rhythm section (drummer Jason McGerr is the band’s third man-behind-the-kit), and survived the potentially distracting side-projects of both Gibbard (who also records as the Postal Service, alongside Dntel frontman Jimmy Tamborello) and guitarist/producer Chris Walla (who co-owns Seattle studio the Hall of Justice, and regularly mans the boards for fellow north-westerners the Thermals and the Long Winters).
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