Okkervil River, 'The Stand Ins' (Jagjaguwar)
Like the perennially chatty Decemberists, Okkervil river aren't stingy with syllables. the Austin band's fifth album, The Stand Ins, is packed with the same compound sentences, sprawling narratives, and precarious, barn-dance guitars that made its companion piece, 2007's The Stage Names, so weirdly gripping.
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Duffy: Girl From the North Country
The drive from Cardiff to Nefyn, a remote fishing village on north Wales' Llyn Peninsula, is only about 160 miles, but it takes me nearly seven hours.
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Cansei De Ser Sexy, 'Donkey' (Sub Pop)
Cansei De Ser Sexy consider ecstatic revelry more an imperative than a choice: "We didn't come into the world to walk around," seethes frontwoman Lovefoxxx on "Jager Joga," the opening cut from the São Paulo band's sophomore LP. "We came here to take you out!" Her voice demands hijinks.
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Fleet Foxes, 'Fleet Foxes' (Sub Pop)
After releasing Sun Giant, a five-track EP, earlier this year, Fleet Foxes have corralled their sprawling, harmony-laden rock into a remarkable debut album.
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Fern Knight, 'Fern Knight' (VHF)
Philadelphia hosts a booming community of psychedelic folksingers, and much like locals Espers (whose Greg Weeks produces here), Margaret Wienk is as influenced by the spacey thrills of the Incredible String Band as by the down-home mumbles of the Folkways catalog.
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The Chapin Sisters, 'Lake Bottom LP' (Plain Recordings)
In 2004, the Chapin Sisters' acoustic cover of Britney Spears' "Toxic" began popping up on Los Angeles radio stations; the trio may have been singing through smirks, but they converted the dance-pop grind into a genuinely unnerving (maybe even prescient?) saga of self-destruction.




