Favourite Sons, 'Down Beside Your Beauty' (Vice)

Desolate drama courtesy of swaggering, swooning rockers.

Mixing despair with hesitant optimism on their visceral debut, Favourite Sons maintain the shoegazer vibe of frontman Ken Griffin's previous band, Rollerskate Skinny, but combine it with the uplifting psych pop of the other four Sons' now-defunct Aspera.

Deftones, 'Saturday Night Wrist' (Maverick)

Metal vets edge away from mookish headbanging.

Deftones' fifth studio album continues their dark, visceral journey -- haunting soundscapes full of ominously chiming guitars, crashing percussion, and frontman Chino Moreno's alternately melodic and guttural singing. But the band also takes some risks -- emphasizing artiness over thundering hardness (unlike 2003's often-deadening self-titled effort).

Sparta, 'Threes' (Hollywood)

Even after the catharsis, they still crank up the guitars.

Ever since their 2002 debut, these El Paso rockers have been a reliably cathartic and emotionally charged presence. Those old traits remain, but Sparta have evolved, with a melodic approach and a postdepression, fist-pumping attitude. On the single "Taking Back Control," singer/guitarist Jim Ward doesn't simply lament the world's ills, but issues an anti-Bush call to arms.

Kasabian, 'Empire' (RCA)

Swaggering Brit-rockers have identity crisis on second album.

England's Kasabian call upon producer Jim Abbiss (Arctic Monkeys, Paul Oakenfold) to send the druggy club sounds of their debut album to boot camp, backing nearly every track here with militant marching beats.

The Vines Conquer Insanity

Drummer Hamish Rosser visits the U.S. to speak out about his band's future, its new record, and its troubled frontman, Craig Nicholls.

Fame has not been particularly kind to Aussie rock outfit the Vines.

BOD Rewind: Feist

Catching up with Feist, SPIN.com's Band of the Day on April 6, 2005

Canadian singer Leslie Feist has had quite a year since she was featured as SPIN.com's Band of the Day. She has toured the world behind her 2004 album, Let it Die, found a new band, had her songs remixed, and moved her recording team into a Parisian manor.

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