Two Tongues, 'Two Tongues' (Vagrant)
Operating like two halves of one brain, this Warped Tour fantasy group -- Saves the Day's Chris Conley and David Soloway plus Say Anything's Max Bemis and Coby Linder -- flood their debut album with opposites: dark/ light, quiet/loud, mid-period Replacements and obscure, angular '90s emo.
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Anthony Green, 'Avalon' (Photo Finish)
Like Sunny Day Real Estate's Jeremy Enigk, Circa Survive singer Anthony Green is his band's most influential (and enigmatic) member, with a nation of emo kids finding solace in the stratospheric vocal lines and elliptical lyrics that mark his band's proggy epics.
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Slipknot, 'All Hope Is Gone' (Roadrunner)
Masked or otherwise, Slipknot's members have rarely seen eye to eye creatively, but without that friction, the nine-member band's self-titled 1999 album and 2001's Iowa (the closest death metal has ever gotten to mainstream rock) wouldn't have been so memorably volatile. Still, between 2004's softer, stylistically uneven Vol.
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Omar Rodriguez-Lopez, 'Calibration (Is Pushing Luck and Key Too Far)' (N2O)
With the fourth in a series of albums written during a creative burst in Amsterdam, the Mars Volta guitarist forgoes his usual proggy pyrotechnics for a trek into dubby textures and hard drum breaks.
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P.O.D., 'When Angels & Serpents Dance' (Columbia)
Despite reuniting the band with guitarist and cofounder Marcos Curiel (who split in 2003), P.O.D.'s seventh album rehashes the same slickly metallic, middle-of-the-road rap-rock sound that defined the band's later, post-Curiel years.
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Monotonix, 'Body Language' (Drag City)
This Israeli garage-punk trio's live show -- an orgy of unhinged, id-driven frontman behavior, amps on the verge of collapse, and the occasional flaming drum kit -- doesn't lend itself to studio constraints.




