Posts tagged "Reviews"

Review: Faith No More Leave Us Asking ‘What Is It?’ on ‘Sol Invictus’

Mike Patton retains his cult for making a 25-year career of Doing Whatever He Wants, less in the Tom Waits model than a more slovenly…
By: Dan Weiss / May 21, 2015

Review: Joanna Gruesome Create More Than Just Messy, Joyous Outbursts on ‘Peanut Butter’

Joanna Gruesome's debut 2013 full-length, Weird Sister, established the band as a spiritual descendent of both the early '90s K Records/Kill Rock Stars rosters and…
By: Annie Zaleski / May 21, 2015

Review: Brandon Flowers Ascends Toward True Throb n’ Moan on ‘The Desired Effect’

Comparisons to Springsteen mattered a few years ago, but the truth is clearer in 2015: Brandon Flowers is our Stevie Nicks. “Mr. Brightside,” “Can’t Deny…
By: Alfred Soto / May 19, 2015

Review: Shamir Can’t Contain Himself on the Year’s Best Debut, ‘Ratchet’

If you pay attention to the sort of media that reasonably expects its audience to scroll through a list of 300 albums, you already know…
By: Dan Weiss / May 17, 2015

Review: Bassekou Kouyate and Ngoni Ba Shred Without Guitars on ‘Ba Power’

Bassekou Kouyaté’s band is Ngoni Ba, which translates roughly as "The Big Ngoni," a pretty terrific description of what Kouyaté’s selling, if you know what…
By: Jason Gubbels / May 11, 2015

Review: ‘PC Music Volume 1′ Proves the Satirical Collective Can Sell Us Anything

This is where A.G. Cook's PC Music collective, whose exuberantly subversive singles and radio mixes operate outside of salable constrictions, gets audited for iTunes approval.
By: Dan Weiss / May 8, 2015

Review: Ciara’s (Lack of) Future Is So Bright She Doesn’t Need Shade on ‘Jackie’

Forgive this one: Ciara is like the Bernie Sanders of R&B. Her mononym (and title of her previous album) for once reflect a keep-it-simple-stupid etho…
By: Dan Weiss / May 4, 2015

Review: Blur Cruise Comfortably Into Their Second Act with ‘The Magic Whip’

Sometime in the year 2023, Blur and Radiohead will release the exact same album. As Radiohead's material continues to get jammier, mellower and less electronic-based,…
By: Andrew Unterberger / April 28, 2015

Review: Raekwon Lets Us Into the Mind of a Killer-For-Hire on ‘Fly International Luxurious Art’

Raekwon is the deadpanning, teeth-gritting Don of Staten Island, who's long cut one of gangsta rap’s more venal figures: a vanquisher-for-hire who comports himself with…
By: M.T. Richards / April 28, 2015

Review: Colin Stetson and Sarah Neufeld Honk and Scrape on ‘Never Were the Way She Was’

Colin Stetson and Sarah Neufeld have given no formal interviews about their brawny new collaborative album, Never were the way she was, which is mostly…
By: Harley Brown / April 27, 2015
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