The Sounds, 'Crossing the Rubicon' (Original Signal)
Front-loaded with buzzy riffs and cutting vocals, the third studio album from this Swedish band is bracingly ambitious, clearly designed to be heard in arenas and stadiums.
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Starf--ker, 'Jupiter' (Badman)
This spazzy quartet's second album belies their unfit-to-fully-print name: It's an amiable, compact collection of synth-pop fizz that lands between Gary Numan's "Cars" and the Cars on the neo-new-wave spectrum.
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Broken Records, 'Until the Earth Begins to Part' (4AD)
This Scottish seven-piece pump out audaciously grandiose anthems and bleeding-heart ballads with a fervor that makes U2 seem shy. Such an over-the-top approach could end in solemn self-parody.
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Regina Spektor, 'Far' (Sire)
Three years after her major-label splash Begin to Hope, New York pianist Regina Spektor went back into the studio with four (!) multiplatinum producers of varying pop backgrounds, including Dr. Dre/Eminem/Fiona Apple enabler Mike Elizondo and former McCartney/Harrison/Wilbury collaborator and ELO founder Jeff Lynne.
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Wilco, 'Wilco (the album)' (Nonesuch)
As far as rock'n'roll is concerned, status quo is for suckers. New boss same as the old boss?
