Reviews - Page 133

The Greenhornes, ‘Four Stars’ (Third Man)

The two less-famous Raconteurs also play in this bluesy garage-rock trio, which has been making a retro noise since the mid-'90s. They haven't rocked together…
Josh Modell / November 9, 2010

Tyvek, ‘Nothing Fits’ (In The Red)

For their second collection of no-fi crud-pop, the scab-picking Detroit fuck-it-alls in Tyvek have evolved their cassette-damaged "frustration rock" into a comparatively lusher rendition of…
christopherschultz / November 9, 2010

The Live Insanity that Is Odd Future Wolf Gang…

"Fuck every label and magazine here, suck my dick!" shouted 19-year-old rapper Tyler, The Creator during the New York coming out party for his potty-mouthed,…
christopherschultz / November 9, 2010

Cold War Kids Unveil Bold New Sound

Cold War Kids are currently working up material for their third album and at an intimate gig on Saturday outside Los Angeles, the indie-rock quartet…
Kevin Bronson / November 8, 2010

Robyn Kicks Off U.S. Tour in Miami

For an electro-pop pixie from Sweden, the low 60s temperatures that seized Miami Beach on Friday night must have felt like home. But in this…
Thomas Francis / November 8, 2010

Inside Lil Wayne’s Welcome Home Bash

Lil Wayne was finally released on Thursday from Rikers Island after an eight month sentence for weapons possession, but it wasn't until Sunday night that…
Arielle Castillo / November 8, 2010

A Perfect Circle Play First Shows in 6 Years

After a six-year hiatus, followed by random hints and cryptic tweets about when they might tour again, A Perfect Circle left fans with a new…
Jonathan Mcnamara / November 5, 2010

Skream, ‘Outside the Box’ (Tempa)

Dubstep is only a decade old, but Ollie "Skream" Jones has become one of its figureheads in just half that time. Most of the London…
Philip Sherburne / November 3, 2010

Women, ‘Public Strain’ (Jagjaguawr)

Women aren't a metal band; just one whose frigid, clattering lo-fi guitar racket sounds like it was composed on metal. The fidelity hasn't improved much…
Ian Cohen / November 3, 2010

White Moth, ‘White Moth’ (Angel Oven)

Between Atari Teenage Riot's reunion and M.I.A.'s abrasive moves, 2010 is the biggest year for "digital hardcore" since its mid-'90s heyday. Add to the windfall…
christopherschultz / November 3, 2010

Various Artists, ‘Blow Your Head Volume 1: Diplo Presents Dubstep’ (Mad Decent)

Despite crossover moves by Snoop Dogg, Rihanna, M.I.A., and Britney Spears, British dubstep feels destined for U.S. obscurity; it's too jerky, too heavy, too slow.
Mike Powell / November 3, 2010

Vado, ‘Slime Flu’ (E1)

Vado is a disciple of fellow Harlemite and eloquent asshole Cam'ron. But unlike his mentor, Vado lacks silk or slyness. He's all about brusqueness, from…
Sean Fennessey / November 3, 2010

Sun City Girls, ‘Funeral Mariachi’ (Abduction)

Following the 2007 death of drummer Charles Gocher, Sun City Girls decided to conclude their befuddling, ethno-punk improv odyssey that has spanned 27 years and…
christopherschultz / November 3, 2010

Kelley Stoltz, ‘To Dreamers’ (Sub Pop)

On his fifth full-length, this '60s-pop obsessive mostly ditches the balmy homemade chorales of his earlier work for folk-rock verities, crafting his tightest, fullest-sounding record…
Jason Gross / November 3, 2010

Smith Westerns, ‘Smith Westerns’ (Fat Possum)

This waifish Chicago foursome's lo-fi garage-glam debut literally sounds like a band steaming up your basement -- tinny, muffled, exuberant, with songs so undeniable (nasally…
Charles Aaron / November 3, 2010

Skyzoo & Illmind, ‘Live From the Tape Deck’ (Duck Down)

"This is '86 Rakim with a Flip camera on," rhymes Brooklyn-born MC Skyzoo, who tosses out complex arrangements of syllables like Frisbees, while avoiding corny…
Mosi Reeves / November 3, 2010

Prefab Sprout, ‘Let’s Change the World With Music’ (Tompkins Square)

In 1992, Prefab Sprout leader Paddy McAloon envisioned an album about God and his manifestation through music and love. He never got around to recording…
Barry Walters / November 3, 2010

The Octopus Project, ‘Hexadecagon’ (Peek-a-Boo)

A stereo mixdown of an ambitious live show involving 16 separate audio and visual feeds, the Octopus Project's all-instrumental fourth album subjects uplifting minimalist themes…
Richard Gehr / November 3, 2010

N*E*R*D, ‘Nothing’ (Star Trak/Interscope)

"I bet this song make no sense to you," Pharrell Williams sings on "God Bless Us All," and it's difficult to imagine him sounding any…
Mikael Wood / November 2, 2010

Bear Hands, ‘Burning Bush Supper Club’ (Cantora)

At its best, especially on standout track "Julien," the full-length debut from these playful Brooklyn rockers (and Wesleyan alumni) is exactly the sort of record…
Kenny Herzog / November 2, 2010
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