Reviews

Review: Meghan Trainor Draws a Blank on ‘Title’

"Every inch of you is perfect from the bottom to the top," is the most important sentence Meghan Trainor will ever sing. Perfection doesn't exist,…
By: Dan Weiss / January 15, 2015

Review: Mark Ronson Delivers a Fun But Overstuffed ‘Uptown Special’

One can never fault bi-continental producer/DJ/sporadic lead artist Mark Ronson for a lack of enthusiasm. The title of 2010's Record Collection could just have easily…
By: Andrew Unterberger / January 13, 2015

Review: Jazmine Sullivan’s ‘Reality Show’ Is So Much Deeper Than Its Title Suggests

Jazmine Sullivan tweeted a threat in 2011 that she was leaving the biz: "i'm trying to figure out who I am… w/out a mike, paper…
By: Alfred Soto / January 13, 2015

Review: Panda Bear Explores the Rabbit Hole on ‘Panda Bear Meets the Grim Reaper’

Once, an Animal Collective show had no discernable order. Bucking the traditional rise/dip/rise/peak/crescendo continuum that a conventional live performance takes, the group — Avey Tare,…
By: Rachel Brodsky / January 12, 2015

Review: Rae Sremmurd Flex With Promise and Big-Name Guests on ‘SremmLife’

One of 2014's greatest viral moments came during Solange's wedding afterparty, when the singer and her young son Julez performed a perfectly choreographed routine to…
By: Brennan Carley / January 7, 2015

Review: Death Grips Rise From the Dead With the Explosive ‘Fashion Week’

It's hard out here for a troll. Are we to believe that maybe once people were used to Death Grips' musical and extracurricular antics both…
By: Dan Weiss / January 6, 2015

Review: D’Angelo Brings Organic Funk Back to Life on the Epochal ‘Black Messiah’

When D'Angelo sings, "All we wanted was a chance to talk / 'Stead we only got outlined in chalk" on his long-awaited third album, we…
By: Chris Martins / December 17, 2014

Review: Nicki Minaj Gets Uncomfortably Personal on ‘The Pinkprint’

Earlier this fall, Nicki Minaj announced that she'd need to push back the release date of her third studio album, The Pinkprint, by two weeks. Though…
By: Brennan Carley / December 16, 2014

Review: Charli XCX Punks Us All With ‘Sucker’

This year was a good one to be Charli XCX, but what no one ever mentions is that the 22-year-old — born Charlotte Aitchison —…
By: Dan Weiss / December 15, 2014

Review: Smashing Pumpkins’ Satisfyingly Unambitious ‘Monuments to an Elegy’

The ninth Smashing Pumpkins album, the bloatedly titled Monuments to an Elegy, is intended as the second-to-last installment in the band's half-decade-spanning song cycle, Teargarden By…
By: Andrew Unterberger / December 10, 2014
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