REVIEWSNo Age, ‘Everything in Between’

8
Everything in Between
Critical Mass
Release Date: September 28, 2010
Label: Sub Pop

by Mike Powell
No Age, 'Everything in Between' (Sub Pop)

Randy Randall and Dean Allen Spunt make hazy, fragmented punk rock that fits as comfortably in art galleries as it does in all-ages venues. (The duo included a thick booklet of color photography with their last album and recently scored a short film.) The cultural crossover works because they turn the slash-and-thud punk template into a space of possibility -- not just for music, exactly, but music for dreaming. Sonic Youth made similar moves 25 years ago, but they're prog rock by comparison. With No Age, you're always just a few minutes away from something you can pogo to.

Still, Everything in Between is nearly 40 minutes long, which is epic for a band whose last two full-lengths were triumphs of brevity. And while 2008's Nouns alternated between rave-ups and bliss-outs, here the band spends more time, well, in between. On a few songs, they edge into scuzzy '80s indie pop. They embrace acoustic guitar and shakers, plus unpunk gadgetry like looping pedals, approaching their music as if they were dub producers: more as sound than song.

And Randall's voice -- a no-range instrument that hits all the wrong notes in all the right places -- carries unexpected melodies. Ultimately, No Age is about heady playtime: After an album's worth of distorted guitar breaks, the instrumental section of closing track "Chem Trails" bursts into a crackle of fireworks.

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