With his third solo album, Ben Kweller serves up the mini-classic of ultramelodic singer/songwriter pop that he's always hinted at, placing giddy wall-of-sound rockers ("Run" and "Penny on the Train Track") alongside soul-kissed weepers ("Red Eye") with skillful aplomb.  If this record had been released, say, 35 years ago, when charmingly personal piano ballads and well-crafted folk-rock arrangements were money, Kweller might've been a huge star.