reviews

Review: Beach House Foster Openhearted Ambiguity on ‘Depression Cherry’

Virtually every interview that’s been published about Beach House since their inception in 2004 has this moment of intense awkwardness, when Victoria Legrand and Alex…
Colin Joyce / August 25, 2015

Review: Royal Headache Beat a Sophomore Hangover on ‘High’

A couple of minutes into their sophomore LP High, Australian pub-punks Royal Headache stumble upon an important lesson for a young band: Rock’n’roll is a…
Colin Joyce / August 18, 2015

Review: Titus Andronicus Make the Excessive Impressive on ‘The Most Lamentable Tragedy’

Rock operas are an inherently dicey proposition. Have the right themes, tools, and ability, and you could wind up with a masterpiece that people will…
Ryan Leas / July 30, 2015

Review: Tame Impala Embark on a Flawless Interstellar Journey With ‘Currents’

Toward the end of Currents, Australian psych-rockonauts Tame Impala’s impeccable third studio LP, Kevin Parker tells us how he really feels. “The desire to know what’…
Harley Brown / July 13, 2015

Review: Vince Staples’ ‘Summertime ’06’ Is No Picnic, And Gloriously So

Editor’s note: It has been brought to SPIN’s attention that this review, published last week, includes factual inaccuracies about Staples (such as an implication about…
M.T. Richards / June 29, 2015

Review: Bully Stone and Dethrone the ’90s Indie Set on ‘Feels Like’

Birthed from the grimy Nashville scene that birthed similar retro-gazing scuzz-pop acts Diarrhea Planet and Jeff the Brotherhood, Alicia Bognanno was a former intern at Steve Albini’s Electrical Audio…
Colin Joyce / June 23, 2015

Review: Kacey Musgraves Outgrows the Trailer Park on ‘Pageant Material’

The real world is hard, and Kacey Musgraves knows it. She knew it on her shit-talking debut, Same Trailer, Different Park, with such auspicious introductions as “Merry Go…
Brennan Carley / June 22, 2015

Review: Jamie xx Is Singular and Sublime on Debut Solo LP, ‘In Colour’

Jamie xx has made no secret of his influences. First there was the xx beatmaker’s solo introduction to the world as Gil Scott-Heron’s chosen remixer…
Harley Brown / June 2, 2015

Review: Shamir Can’t Contain Himself on the Year’s Best Debut, ‘Ratchet’

If you pay attention to the sort of media that reasonably expects its audience to scroll through a list of 300 albums, you already know…
Dan Weiss / May 17, 2015

Review: Best Coast Refuse to Hit Cruise Control on ‘California Nights’

Expectation is a finicky, often insurmountable burden attached to nearly every album in the Internet age. It’s impossible to avoid the entirety of a band’…
Brennan Carley / May 4, 2015
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