Album of the Week

Review: Mac DeMarco Cleans Up His Act on ‘Another One’

Indie rock's favorite merry prankster — the Bizkit-covering, self-violating, gap-toothed, boy-king Mac DeMarco — has another collection of chewy guitar-pop treats to share.
By: Colin Joyce / August 3, 2015

Review: Alessandro Cortini Spirals Upward on Luminous ‘Risveglio’

Alessandro Cortini tends to surround himself with darkness. The Italian producer is most infamous as a torturer of modular synths and other bleak electronics for…
By: Colin Joyce / July 27, 2015

Review: Ashley Monroe’s Songcraft Stays Sharp on ‘The Blade’

The singer and writer of the most exquisite sighs in modern country, Ashley Monroe doesn’t come off as a mope. Her high, fluting voice project…
By: Alfred Soto / July 20, 2015

Review: Tame Impala Embark on a Flawless Interstellar Journey With ‘Currents’

Toward the end of Currents, Australian psych-rockonauts Tame Impala's impeccable third studio LP, Kevin Parker tells us how he really feels. "The desire to know what'…
By: Harley Brown / July 13, 2015

Review: Matrixxman Proves Technology Is Human After All on ‘Homesick’

In 1978, Kraftwerk released The Man-Machine, an album that openly explored the intersection of humanity and technology. Nearly 40 years later, that examination is still…
By: Shawn Reynaldo / July 6, 2015

Review: Vince Staples’ ‘Summertime ’06’ Is No Picnic, And Gloriously So

Editor's note: It has been brought to SPIN's attention that this review, published last week, includes factual inaccuracies about Staples (such as an implication about…
By: M.T. Richards / June 29, 2015

Review: Kacey Musgraves Outgrows the Trailer Park on ‘Pageant Material’

The real world is hard, and Kacey Musgraves knows it. She knew it on her shit-talking debut, Same Trailer, Different Park, with such auspicious introductions as "Merry Go…
By: Brennan Carley / June 22, 2015

Review: High on Fire Refine the Stoner-Metal Blueprint on ‘Luminiferous’

After six albums and 17 years of existence, High on Fire have made their blueprint transparent. The Oakland trio starts its construction on the firm…
By: Colin Joyce / June 15, 2015

Review: Tove Styrke Rises as a Feminist Pop Queen on ‘Kiddo’

In 2009, Tove Styrke finished third on Swedish Idol and quickly delivered a self-titled album full of the then-untapped promise of mechanized Scandinavian pop. Singles like "Call…
By: Brennan Carley / June 8, 2015

Review: Jason Derulo Is Better Than ‘Bad,’ He’s Good on ‘Everything Is 4′

For a man who’s best-known for singing his name enough times to fill an hour, Jason Desrouleaux’s music really ascended when he decided it needed…
By: Dan Weiss / June 1, 2015
Page 1 of 5