Jim Noir, 'Jim Noir' (Barsuk)
Wild-eyed Alan Roberts -- a.k.a. Jim Noir -- belongs to the mad-scientist school of pop, concocting intricate epics that create a sense of intense claustrophobia.
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Nine Inch Nails, 'Ghosts I–IV' (NIN.com)
Since leaving Interscope last year, Trent Reznor has been on a productive tear. The latest evidence: For as little $5, you can download Ghosts I–IV (or for you diehards, Halo 26), a stunning collection of 36 instrumental tracks that is one of the most varied and ambitious releases of his career.
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The Kooks, 'Konk' (Astralwerks)
These British phenoms' energetic pop-rock tunes are eminently listenable and sometimes downright joyous (album opener "See the Sun"), but nary a nanosecond of the Kooks' second album could be called original (the Strokes again, eh?). And for now, Luke Pritchard and Co.
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Frightened Rabbit, 'The Midnight Organ Fight' (FatCat)
Glasgow has a well-earned rep for churning out bands led by weepy would-be lotharios, so it's past due for a new angle on the oversold market. Enter Frightened Rabbit singer/guitarist Scott Hutchison, who favors caustic over cloying ("Let's get paralyzed down both sides," he offers on "Fast Blood," a bashed-out anti-anthem) and specializes in bitter detail, not fey bemusement.
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Hayes Carll, 'Trouble in Mind' (Lost Highway)
This Texas coaster covers plenty of bases on his third album, many of them alcoholic, and the tastiest perched between stadium rockabilly and Dylan-worship folk rock. Whether he's feeling nostalgic for small-town foibles or fancying himself a drunken poet knockin' over whiskeys with his bad liver and broken heart, he's cornier than he thinks.
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Awesome Color, 'Electric Aborigines' (Ecstatic Peace!)
A band that looks as youthfully innocent as Awesome Color shouldn't be capable of making such convincingly grizzled rock, but good Midwestern genes and a steady diet of Stooges records can apparently work miracles.




