Baroness, 'Red Album' (Relapse)
Math metal was invented in Richmond's heavy punk scene, so it's not too surprising that while these epic mathletes joined up in Savannah, Georgia, the members originally hailed from Virginia. Gritty guitars harmonize like Destiny's Child, and the intricate, huge-sounding songs can't decide if they'd rather be in the gutter or reaching for the stars, so leader John Baizley howls about both.
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Chamillionaire, 'Ultimate Victory' (Chamillitary/ Universal)
In hip-hop, the only thing worse than not having a hit is actually having one. Case in point: Amid the blowup of the Houston syrup scene that delivered bangers from Paul Wall and Slim Thug, Chamillionaire clubbed everybody with "Ridin'," a bombastic tune that became 2006's unofficial summer jam.
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Celebration, 'The Modern Tribe' (4AD)
With TV on the Radio's Dave Sitek producing, and cameos from Afrobeat collective Antibalas and Yeah Yeah Yeahs' Nick Zinner, this Baltimore-based trio struggle to escape the shadow cast by their peers. Drummer David Bergander's ethnic rhythms (see Antibalas) drive Sean Antanaitis' atmospheric keyboards (see TV on the Radio), while Katrina Ford coos, wails, and shrieks (see Karen O).
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Beirut, 'The Flying Club Cup' (Ba Da Bing)
Trading the DIY approach of his debut for an actual eight-piece band, the sophomore album from youthful, neo-Gypsy multi-instrumentalist Zach Condon has the makings of a hokey, pretentious mess.
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The Dirty Projectors, 'Rise Above' (Dead Oceans)
In a singular act of reinvention (and cojones), main Projector Dave Longstreth rewrites Black Flag's historic 1981 punk blast Damaged, keeping only the lyrics.




