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As joyously empty-headed and spunk-fitted as an ode to rock-life hedonism and confusion ought to be, the Swedish garage rockers' third album makes up in undeniable choruses and fully lubricated production what it lacks in originality (though sometimes just barely).

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Don't be confused by this British Columbian band's strange name and the liberal use of punctuation: They are neither abstruse art rockers nor death-obsessed metalloids. The third choice?

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The fifth full-length from Cornelius -- a.k.a.

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If there is comfort in being sad, Elliott Smith knew it once. The late singer/songwriter's early four-track recordings were about the good kind of loneliness: wandering through the city just before morning, waiting for a train to come or a drug to kick in, hoping that something might happen.

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You might expect producer Jimmy Tamborello, also half of the Postal Service, to push the boundaries of his woozy laptop-pop tomfoolery with the first record under his Dntel alias in six years.